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  | | Screening Soviet Nationalities Kulturfilms from the Far North to Central Asia (KINO: The Russian and Soviet Cinema Series) by Oksana Sarkisova Hardcover, 304 Pages, Published 2016 by I.B.Tauris ISBN-13: 978-1-78453-573-5, ISBN: 1-78453-573-7 "Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. These films created blueprints of the Soviet domain’s scenic, cultural, and ethnographic perimeters and brought together – in many ways – disparate nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethn ..." |
 | | Cultural Forms of Protest in Russia (Routledge Contemporary Russia and Eastern Europe Series) by Birgit Beumers, Alexander Etkind, Olga Gurova, Sanna Turoma Paperback, Published 2019 by Routledge 2019-12 ISBN-13: 978-0-367-87414-8, ISBN: 0-367-87414-8 |
 | | Ruptures and Continuities in Soviet/Russian Cinema Styles, characters and genres before and after the collapse of the USSR by Birgit Beumers, Eugenie Zvonkine 226 Pages, Published 2017 by Routledge ISBN-13: 978-1-317-19470-5, ISBN: 1-317-19470-5 "This version of the trickster would return in Georgii Daneliia's tricksters: his Afonia (Leonid Kuravlev), in the eponymous film (1973), represents a proletarian trickster as an abusive anti-intelligentsia manipulator with a lost sense of the purpose of life; and Autumn Marathon (Osennii marafon, 1979), introduces the janitor Vasilii (Evgenii Leonov), who feels entitled to interfere into the life of the intelligentsia and in this c ..." |
 | | Cultural Forms of Protest in Russia by Birgit Beumers, Alexander Etkind, Olga Gurova, Sanna Turoma 248 Pages, Published 2017 by Routledge ISBN-13: 978-1-317-35263-1, ISBN: 1-317-35263-7 "As the Swiss theatre director and journalist Milo Rau, founder of the International Institute of Political Murder (IIPM), has astutely pointed out, there is a fundamental difference between the dissidence of the Cold War era and today's dissent, and it is dangerous to confuse the two. The Western idea of dissidence is rooted in cases such as those of Andrei Sakharov and Aleksandr Solzhenitsyn, which is a romanticized image; today's ..." |
 | | Alexander Sokurov Russian Ark by Birgit Beumers 67 Pages, Published 2016 ISBN-13: 978-1-78320-704-6, ISBN: 1-78320-704-3 |
 | | Aleksandr Sokurov Russian Ark (Kinosputnik) by Birgit Beumers Paperback, 112 Pages, Published 2016 by Intellect Ltd ISBN-13: 978-1-78320-703-9, ISBN: 1-78320-703-5 "Released in 2002, Russian Ark drew astonished praise for its technique: shot with a Steadicam in one ninety-six-minute take, it presented a dazzling whirl of movement as it followed the Marquis de Custine as he wandered through the vast Winter Palace in St. Petersburg—and through three hundred years of Russian history. This companion to Russian Ark addresses all key aspects of the film, beginning with a comprehensive synops ..." |
 | | Aleksandr Sokurov Russian Ark: Russian Ark by Birgit Beumers 92 Pages, Published 2016 by Intellect Books ISBN-13: 978-1-78320-705-3, ISBN: 1-78320-705-1 "... who agrees to conduct the mazurka with the Mariinsky Orchestra September – Meeting with Aleksandr Golutva (Deputy Minister of Culture) 5 October – Meeting with producer Andrei Deriabin and St Petersburg's governor, Vladimir Iakovlev, ..." |
 | | A Companion to Russian Cinema by Birgit Beumers 672 Pages, Published 2016 by John Wiley & Sons ISBN-13: 978-1-118-42470-4, ISBN: 1-118-42470-0 "Svetlana Proskurina identified Sokurov as the key to “the resurrection, or return ... of the legendary Lenfilm of the twenties” (Proskurina 1990, 24), though many of his films were no more than a rumor for the Russian public, as the film distribution system collapsed. As early as 1990 Tat'iana Moskvina complained about the disjuncture between Sokurov's subject matter and visual style, a disjuncture she found typical of the Leningra ..." |
 | | Cinema in Central Asia Rewriting Cultural Histories by Michael Rouland, Gulnara Abikeyeva, Birgit Beumers 320 Pages, Published 2013 by I.B.Tauris ISBN-13: 978-0-85773-421-1, ISBN: 0-85773-421-0 "3 See Andrew Horton and Michael Brashinsky, The Zero Hour: Glasnost and Soviet Cinema in Transition (Princeton, 1992), p. 238. 4 Tusovka is a Russian colloquialism, originally referring to spontaneous gatherings of members of bohemian urban artistic circles in the late 1970s and 1980s. The art theorist Viktor Miziano defines tusovka in this narrow sense as an original sociocultural phenomenon, a grouping of individuals consolidated ..." |
 | | Russia’s New Fin de Siècle Contemporary Culture between Past and Present by Birgit Beumers 200 Pages, Published 2013 by Intellect Books ISBN-13: 978-1-78320-086-3, ISBN: 1-78320-086-3 "merely lamentable; one might even say there is no condition, because man hardly exists. Nothing exists to which one could point and say: 'There, that is Homo Zapiens.' HZ is simply the residual luminescence of a soul fallen asleep; it is a film ..." |
 | | Globalisation, Freedom and the Media after Communism The Past as Future by Birgit Beumers, Stephen Hutchings, Natalia Rulyova 176 Pages, Published 2013 by Routledge ISBN-13: 978-1-317-96763-7, ISBN: 1-317-96763-1 "... famous children's story Zolotoi klyuchik, ili priklyueheniya Buratino (The Golden Key, or Buratino's Adventures) by Aleksei Tolstoy (1936) and the popular film of 1975 based on the book, Priklyueheniya Buratino, directed by Leonid Nechaev, ..." |
 | | Cinema in Central Asia Rewriting Cultural Histories by Michael Rouland, Gulnara Abikeyeva, Birgit Beumers 320 Pages, Published 2013 by I.B.Tauris ISBN-13: 978-0-85772-278-2, ISBN: 0-85772-278-6 "Omirbaev's subsequent films have been distributed internationally: The Road [Jol , 2001], followed by Shuga (2007) and Student (2012), both transferring the plots of Anna Karenina and Crime and Punishment respectively onto a modern Kazakh context. RAZYKOV, Yusup Tashkent (Uzbek SSR), 1957 Director, screenwriter. Honoured Artist of Uzbekistan (2000). In 1986 he graduated from the scriptwriting faculty of VGIK. After proving to be a b ..." |
 | | Kino - the Russian Cinema Cinema of Alexander Sokurov by Birgit Beumers, Nancy Condee 288 Pages, Published 2011 by I.B.Tauris ISBN-13: 978-0-85772-073-3, ISBN: 0-85772-073-2 "sense of the term, viz Maria (Peasant Elegy), Sokurov's first documentary film about the Russian kolkhoz worker Maria Semenovna Voinova; Elegy and PetersburgElegy, two portraits of Fedor Chaliapin; Moscow Elegy, a portrait of Sokurov's ... Elegy ofLife, a portrait of opera singer Galina Vishnevskaya and cellist Mstislav Rostropovich.3 I shall explore these portraits in the light of their underlying elegiac mood through an analysis ..." |
 | | Directory of World Cinema by Birgit Beumers Published 2011 ISBN-13: 978-1-84150-343-1, ISBN: 1-84150-343-6 |
 | | A History of Russian Cinema (Hardcover) by Birgit Beumers Hardcover, 320 Pages, Published 2009 by Bloomsbury Academic ISBN-13: 978-1-84520-214-9, ISBN: 1-84520-214-7 "Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably with the work of Eisenstein, and a huge growth in the audience for film, which continued into the 1930s with the rise of musicals. The films of the Second World War and Cold War periods reflected a return to political concerns in their repr ..." |
 | | A History of Russian Cinema by Birgit Beumers Paperback, 320 Pages, Published 2009 by Bloomsbury Academic ISBN-13: 978-1-84520-215-6, ISBN: 1-84520-215-5 "Film emerged in pre-Revolutionary Russia to become the “most important of all arts†for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably with the work of Eisenstein, and a huge growth in the audience for film, which continued into the 1930s with the rise of musicals. The films of the World War II and Cold War periods reflected a return to political concerns in their ..." |
 | | Performing Violence(2nd Edition) Literary and Theatrical Experiments of New Russian Drama by Birgit Beumers, Mark Naumovich Lipovet︠s︡kiĭ, Mark Lipovetsky, Mark Lipovestsky Paperback, 240 Pages, Published 2009 by Intellect Ltd ISBN-13: 978-1-84150-269-4, ISBN: 1-84150-269-3 "The so-called "New Russian Drama" emerged at the end of the twentieth century, following a long period of decline in dramatic writing in the late Soviet and post-Soviet era. In "Performing Violence," Birgit Beumers and Mark Lipovetsky examine the representation of violence in these new dramatic works by young Russian playwrights. Reflecting the disappointment in Yeltsin's democratic reforms and Putin's neoconservative politics, the play ..." |
 | | Performing Violence Literary and Theatrical Experiments of New Russian Drama by Birgit Beumers, Mark Lipovetsky 316 Pages, Published 2009 by Intellect Books ISBN-13: 978-1-84150-346-2, ISBN: 1-84150-346-0 "Literary and Theatrical Experiments of New Russian Drama Birgit Beumers, Mark Lipovetsky ... Since two brains have to operate the extremities and as, hrrra-fra- pra. ... of residence – 'Nowhere, till the next time, again already' (Petrushevskaya 1991: 2), the promise 'I'll be there Friday, like a turncoat' (ibid., 3), the formula of ..." |
 | | Pop Culture Russia! Media, Arts, and Lifestyle by Birgit Beumers Published 2009 ISBN-13: 978-1-84972-387-9, ISBN: 1-84972-387-7 |
 | | Pop Culture Russia! Media, Arts, and Lifestyle (Popular Culture in the Contemporary World) by Birgit Beumers 399 Pages, Published 2005 by Abc-Clio ISBN-13: 978-1-85109-464-6, ISBN: 1-85109-464-4 |
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