"As the Swiss theatre director and journalist Milo Rau, founder of the International
Institute of Political Murder (IIPM), has astutely pointed out, there is a fundamental
difference between the dissidence of the Cold War era and today's dissent, and it
is dangerous to confuse the two. The Western idea of dissidence is rooted in
cases such as those of Andrei Sakharov and Aleksandr Solzhenitsyn, which is a
romanticized image; today's ..."
"... enclosure Khoziaiushka, Krest'ianka No 11 (1991), p. 3. “Classic style” is
arguably the central style in the discourse of clothing in Russia. This style
comprises safe, moderately fashionable, timeless clothes in “neutral” tones
whose owner hardly seeks to stand out from the crowd. These garments are
practical and aimed at longlasting use. The classic style correspondsto socialist
norms of moderation, elegance, and propriety. 1 ..."
"This book explores how clothing consumption has changed in Russia in the past 20 years as capitalism has grown in a postsocialist state, bringing with it a "consumer revolution." It shows how there has been and continues to be a massive change in the fashion retail market and how ideal lifestyles portrayed in glossy magazines and other media have contributed to the consumer revolution, as have shifts in the social structure and everyday ..."
"During late socialism, Soviet taste diversified, and the state had to embrace the
spread of various “deviant” consumer patterns, such as stiliagi, which became a
mass phenomenon in the 1970s. 3 As Alexei Yurchak points out, in the 1970s the
state critically ... primarily as a folk analytical category that relates income level
and the capacity to consume with professional background, education, and other
measures of social achieveme ..."
"Alongside the Arab Spring, the 'Occupy' anti-capitalist movements in the West, and the events on the Maidan in Kiev, Russia has had its own protest movements, notably the political protests of 2011–12. As elsewhere in the world, these protests had unlikely origins, in Russia’s case spearheaded by the 'creative class'. This book examines the protest movements in Russia. It discusses the artistic traditions from which the movements arose; ..."