"Neben Literatur und Kunst ist es gerade der Film, in dem die Verschrankung von Stillstand und Dynamik ihren Ausdruck findet, die fur die Kultur des osteuropaischen Raums nach 1945 so kennzeichnend ist. In seinen Bildern lasst der osteuropaische Film diese eigentumliche Zeitstruktur asthetisch erlebbar werden und findet dabei zu jener Poetik der filmischen Zeit-Bilder von toten Zeiten in leeren Raumen, die der franzosische Philosoph Gill ..."
Yuri Lyubimov(1st Edition) Thirty Years at the Taganka Theatre (Contemporary Theatre Studies) by BirgitBeumers Paperback, 380 Pages, Published 1997 by Routledge ISBN-13: 978-3-7186-5885-5, ISBN: 3-7186-5885-2
"Tracing Lyubimov's work play by play, we discover an indivudual doomed to be at odds with the prevailing political and social climate of his literary contemporaries. From this unique book there emerges a clear picture of Lyubimov's mischievous, provocative, fearless, and tireless imagination.In this fascinating study of Yury Lyubimov's tempestuous career and his liberating style of theatre, Birgit Beumers thoroughly explores the making ..."
Yuri Lyubimov(1st Edition) Thirty Yerars at the Taganka Theatre (Contemporary Theatre Studies, V. 21) by BirgitBeumers Hardcover, 349 Pages, Published 1997 by Routledge ISBN-13: 978-3-7186-5875-6, ISBN: 3-7186-5875-5
"The third is the friend, corresponding with Vyazemsky, Pushchin, the presenter of
Boris Godunov, the adult in conflict with his parents, the man in the duel; he was
played by Boris Galkin or Valery Pogoreltsev. The fourth is Pushkin at school, the
thinker and commentator, played by Leonid Filatov. The fifth alludes to the outer
appearance of the poet: in tail-coat, with curly hair, small in stature, the
Gentleman of the Bedchamber ..."