Unspeakable Histories Film and the Experience of Catastrophe (Hardback) by WilliamGuynn Hardcover, 272 Pages, Published 2016 by Columbia University Press ISBN-13: 978-0-231-17796-2, ISBN: 0-231-17796-8
"In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores ..."
"The Routledge Companion to Film History is an indispensable guide for anyone studying film history for the first time. The approach taken presents a substantial and readable overview of the field and provides students with a tool of reference that will be valuable throughout their studies. The volume is divided into two parts. The first is a set of eleven essays that approaches film history around the following themes: History of the ..."
"The Routledge Companion to Film History is an indispensable guide for anyone studying film history for the first time. The approach taken presents a substantial and readable overview of the field and provides students with a tool of reference that will be valuable throughout their studies. The volume is divided into two parts. The first is a set of eleven essays that approaches film history around the following themes: History of ..."
The Cinema of Nonfiction(Illustrated) by WilliamGuynn, W. Gwynn Hardcover, 249 Pages, Published 1990 by Fairleigh Dickinson University Press ISBN-13: 978-0-8386-3340-3, ISBN: 0-8386-3340-4
Unspeakable Histories(Reprint) Film and the Experience of Catastrophe (Film and Culture Series) by William Howard Guynn Paperback, 272 Pages, Published 2016 by Columbia University Press ISBN-13: 978-0-231-17797-9, ISBN: 0-231-17797-6
"In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores ..."
Writing History in Film(1st Edition) (Hardback) by WilliamGuynn Hardcover, 256 Pages, Published 2006 by Routledge ISBN-13: 978-0-415-97923-8, ISBN: 0-415-97923-4
"She is the co-author of Reframing Screen Performance and co-editor of More
Than a Method, with essays in Journal of ... Jay Beck is Assistant Professor of
Cinema and Media Studies at Carleton College. He has co-edited Lowering the
Boom: Critical Studies in Film Sound with Tony Grajeda, and Contemporary
Spanish ..."
"Historical film has been an important genre since the earliest silent films. The French Revolution, the American Civil War, the conquest of the New World, World War II--all have been repeatedly represented in film. But how do we distinguish between fictionalized spectacle and authentic historical representation? Writing History in Film sets out the narratological, semiological, rhetorical, and philosophical bases for understanding how f ..."
Film and Culture Unspeakable Histories : Film and the Experience of Catastrophe by WilliamGuynn 256 Pages, Published 2016 by Columbia University Press ISBN-13: 978-0-231-54196-1, ISBN: 0-231-54196-1
"4. LARISA SHEPITKO'S THE ASCENT Vasily Grossman, Everything Flows, trans.
Robert Chandler and Elizabeth Chandler (New York: New York Review Books,
2009), 193. 2. William Guynn, Writing History in Film (New York: Routledge, 2006
), 80. 3. Robert Rosenstone, Visions of the Past: The Challenge of Film to Our
Idea of History (Cambridge, Mass.: Harvard University Press, 1995), 61. 4. Paul
Veyne, Writing History (Middletown, Conn.: Wesley ..."
"Is There a Special Character to the Narrative Statement in History? Arthur Danto
was the first to address the question in Analytic Philosophy of History (1965).
Danto argues that there is a fundamental difference between historical and other
kinds of narrative, but the distinction he makes is not to be found in epistemology
but in an analysis of the functioning of narrative statements. Danto examines
what he sees as the complex tem ..."
"1943. Princeton, New Jersey: Princeton University Press, 1986. Landy, Marcia.
The Folklore of Consensus: Theatricality in the Italian Cinema, 1930–1943.
Albany: State University of New York Press, 1998. Landy, Marcia., ed. The
Historical Film: History and Memory in the Media. New Brunswick, NewJersey:
Rutgers University Press, 2001. Doubleday Anchor Books, 1955. Peirce, Charles
Sanders. Collected Papers, vols. Le Goff,Jacques. Hist ..."
"Originally released in 1998, Documenting the Documentary responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analyzed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical view ..."
"“Other Reflections on Films and History.” American Historical Review, vol. 93, no.
5 (December 1988), pp. 1186–92. Hobsbawn, Eric. On History. New York: New
Press, distributed by Norton, 1997. Husserl, Edmund. The Cartesian Meditations.
The Hague: Martinus Nijhoff, 1960. Jakobson, Roman. “Closing Statement:
Linguistics and Poetics.” In Style in Language, ed., Thomas A. Sebeok, 2nd.
edition. Cambridge, Massachusetts: MIT Press, 1964 ..."
"Originally released in 1998, Documenting the Documentary responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analysed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical view ..."
"Historical film has been an important genre since the earliest silent films. The French Revolution, the American Civil War, the conquest of the New World, World War II--all have been repeatedly represented in film. But how do we distinguish between fictionalized spectacle and authentic historical representation? Writing History in Film sets out the narratological, semiological, rhetorical, and philosophical bases for understanding how f ..."
"Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By c ..."
"In a manifesto by J.-L. comolli and J. Narboni entitled “cinema/ Ideology/criticism”
(1969), the cahiers' editorial board revived a number of central Marxist ideas: that
film criticism should be “scientific,” on the model of historical materialism; that film
should be understood as a particular product, manufactured in a mass industry
and subject to the capitalist economy, and that all films exist necessarily within
the dominant id ..."
"In Récitécrit, récit filmique, Francis Vanoye offers atable ofthe differences
betweenwritten andfilmic narrative based on the distinctions formulated by
Hjelmslev.50 Thistable ishelpfulin rethinking what the specificity ofsignifying
systems has to ..."