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Books by Lucy Fischer
  | | Sunrise by Lucy Fischer 80 Pages, Published 2020 by British Film Institute ISBN-13: 978-1-83902-198-5, ISBN: 1-83902-198-5 "In her foreword to this new edition, Lucy Fischer considers the film as an abiding classic of world cinema." |
 | | Cinema by Design Art Nouveau, Modernism, and Film History (Film and Culture Series) by Lucy Fischer Paperback, 288 Pages, Published 2017 by Columbia University Press ISBN-13: 978-0-231-17503-6, ISBN: 0-231-17503-5 "Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer tra ..." |
 | | Imitation of Life Douglas Sirk, Director (Rutgers Films in Print series) by Lucy Fischer, Douglas Sirk, Rutgers University Press Paperback, 360 Pages, Published 1991 by Rutgers University Press ISBN-13: 978-0-8135-1645-5, ISBN: 0-8135-1645-5 "Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were "Magnificent Obsession," "All That Heaven Allows," "The Tarnished Angels," "Written on the Wind," and "Imitation of Life" (made in 1958, released in 1959). Because of the special stamp he put on his melodramas, Si ..." |
 | | Shot/Countershot Film Tradition and Women's Cinema by Lucy Fischer Paperback, 360 Pages, Published 1989 by Princeton University Press ISBN-13: 978-0-691-00605-5, ISBN: 0-691-00605-9 "Do films made by women comprise a "counter-cinema" radically different from the dominant tradition? Feminist film critics contend that women filmmakers do present from a distinctive vision, or "countershot," and Lucy Fischer argues persuasively for this view. In rich detail this book relates the idea of a counter-cinema to theories of intertextuality and locates it in the broad context of recent feminist film, literary, and art criticis ..." |
 | | Cinemagritte René Magritte within the Frame of Film History, Theory, and Practice (Contemporary Approaches to Film and Media Series) by Lucy Fischer Hardcover, 312 Pages, Published 2019 by Wayne State Univ Pr ISBN-13: 978-0-8143-4636-5, ISBN: 0-8143-4636-7 "Cinemagritte: René Magritte within the Frame of Film History, Theory, and Practice investigates the dynamic relationship between the Surrealist modernist artist René Magritte (1898–1967) and the cinema—a topic largely ignored in the annals of film and art criticism. Magritte once said that he used cinema as "a trampoline for the imagination," but here author Lucy Fischer reverses that process by using Magritte’s work as a stimulus for a ..." |
 | | Cinematernity Film, Motherhood, Genre (Princeton Legacy Library) by Lucy Fischer, Professor Emma Wilson Paperback, 232 Pages, Published 1996 by Princeton University Press ISBN-13: 978-0-691-03774-5, ISBN: 0-691-03774-4 "Lucy Fischer undertakes the first investigation of how the topic of motherhood presents itself throughout a wide range of film genres." |
 | | Shot/Countershot Film Tradition and Women's Cinema (Princeton Legacy Library) by Lucy Fischer, Patrice Petro Hardcover, 360 Pages, Published 1989 by Princeton Univ Pr ISBN-13: 978-0-691-04756-0, ISBN: 0-691-04756-1 |
 | | Recollecting Collecting A Film and Media Perspective (Contemporary Approaches to Film and Media Series) by Lucy Fischer Paperback, Published 2023 by Wayne State University Press ISBN-13: 978-0-8143-4855-0, ISBN: 0-8143-4855-6 |
 | | Designing Women Cinema, Art Deco and the Female Form (Film and Culture Series) by Lucy Fischer Hardcover, 352 Pages, Published 2003 by Columbia University Press ISBN-13: 978-0-231-12500-0, ISBN: 0-231-12500-3 |
 | | Art Direction and Production Design (Behind the Silver Screen Series) by Lucy Fischer, Professor Mark Shiel, Merrill Schleier, Charles Tashiro, Professor Stephen Prince, J.D. Connor, Lucy Rose Fischer Paperback, 232 Pages, Published 2015 by Rutgers University Press ISBN-13: 978-0-8135-6435-7, ISBN: 0-8135-6435-2 "How is the look of a film achieved? In Art Direction and Production Design, six outstanding scholars survey the careers of notable art directors, the influence of specific design styles, the key roles played by particular studios and films in shaping the field, the effect of technological changes on production design, and the shifts in industrial modes of organization. The craft's purpose is to produce an overall pictorial -vision- for ..." |
 | | Teaching Film(Updated) by Patrice Petro, Mark Langer, Michael Renov, Anne Rutherford, Tasha Oren, Lucy Fischer, Dudley Andrew, Garrett Stewart, Raphael Raphael, Mark Lynn Anderson, Pat Brereton Dr, Professor Timothy Corrigan, Professor Adam Lowenstein, Professor Paula J. Massood, Professor Gwendolyn Audrey Foster, Professor Hamid Naficy, Professor Maureen Turim, Professor Patricia White, Professor Michael Aronson, Professor David Desser, E. Ann Kaplan, Nataša Ďurovičová, Wheeler Winston Dixon, Michael Aronson, Pat Brereton, Timothy Corrigan, David Desser, Adam Lowenstein, Maureen Turim, Hamid Naficy, Patricia White, Reviewer David Desser, Lucy Rose Fischer Paperback, 424 Pages, Published 2012 by The Modern Language Association Of America ISBN-13: 978-1-60329-115-6, ISBN: 1-60329-115-6 "Film studies has been a part of higher education curricula in the United States almost since the development of the medium. Although the study of film is dispersed across a range of academic departments, programs, and scholarly organizations, film studies has come to be recognized as a field in its own right. In an era when teaching and scholarship are increasingly interdisciplinary, film studies continues to expand and thrive, attracti ..." |
 | | American Cinema of the 1920s Themes and Variations (Screen Decades: American Culture/American Cinema) by Lucy Fischer, Professor Michael Aronson, Professor Mark Anderson, Professor Sara Ross, Sumiko Higashi, Professor Gwenda Young, Professor Maureen Turim, Marcia Landy, Angela Dalle Vacche, Jennifer M. Bean, Lester D. Friedman, Murray Pomerance Paperback, 312 Pages, Published 2009 by Rutgers University Press ISBN-13: 978-0-8135-4485-4, ISBN: 0-8135-4485-8 "During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including ..." |
 | | Cinemagritte René Magritte within the Frame of Film History, Theory, and Practice by Lucy Fischer 304 Pages, Published 2019 by Wayne State University Press ISBN-13: 978-0-8143-4638-9, ISBN: 0-8143-4638-3 "MichelAnge (Patrice Moullet) takes a seat in a darkened theater and looks at the screen. The initial film that he sees is a modern rendition of the Lumière brothers' The Arrival of a Train (1895), and like the mythical credulous spectator, he hides ..." |
 | | Shot/Countershot Film Tradition and Women's Cinema by Lucy Fischer 360 Pages ISBN-13: 978-0-608-06294-5, ISBN: 0-608-06294-4 |
 | | Cinema by Design Art Nouveau, Modernism, and Film History (Film and Culture Series) by Lucy Fischer Hardcover, 288 Pages, Published 2017 by Columbia University Press ISBN-13: 978-0-231-17502-9, ISBN: 0-231-17502-7 "Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer tra ..." |
 | | Film and Culture Ser. Cinema by Design : Art Nouveau, Modernism, and Film History by Lucy Fischer 256 Pages, Published 2017 by Columbia University Press ISBN-13: 978-0-231-54422-1, ISBN: 0-231-54422-7 "... of Identity (London: Thames and Hudson, 1995). IMDb lists no art director or production designer, just a list of individuals in the Art Department. Simon Abrams, review of The Strange Color of Your Body's Tears, ... by Olivier Goinard, which is included on Summer Hours, directed by Olivier Assayas (New York: Criterion Collection, 2008), DVD. 4 O'Brien, “Secret Life,” 185. 5 Quoted in Kristi McKim, Love in the Time of Cinema (Ba ..." |
 | | Shot/Countershot Film Tradition and Women's Cinema (Princeton Legacy Library) by Lucy Fischer Hardcover, 362 Pages, Published 2016 by Princeton University Press, United States ISBN-13: 978-0-691-63753-2, ISBN: 0-691-63753-9 "In rich detail this book relates the idea of a counter-cinema to theories of intertextuality and locates it in the broad context of recent feminist film, literary, and art criticism." |
 | | Behind the Silver Screen Ser. Art Direction and Production Design by Lucy Fischer 232 Pages, Published 2015 by Rutgers University Press ISBN-13: 978-0-8135-7280-2, ISBN: 0-8135-7280-0 "to augment the movie's sense of whimsy. As the Souvenir Program Booklet asserts: “A roseate glow [was used] for the romantic moments; a garish green where the terrifying monsters appear; a soft uranium sepia where the beautiful golden haze glows about the dream city of Bagdad and throughout all the fantasy a rich Maxfield Parrish blue” (color plate 3). As for the reference to Parrish, his style has been claimed by aficionados of bo ..." |
 | | Behind the Silver Screen Ser. Art Direction and Production Design by Lucy Fischer 232 Pages, Published 2015 by Rutgers University Press ISBN-13: 978-0-8135-6437-1, ISBN: 0-8135-6437-9 "Carol Titelman, ed., The Art of “Star Wars” (New York: Ballantine, 1979); David Michael Petrou, The Making of “Superman, the Movie” (New York: Warner Books, 1978); Carl Macek, The Art of “Heavy Metal,” the Movie: Animation for the Eighties (New York: Zoetrope, 1981); Brian Froud, The World of “The Dark Crystal ” (New York: Knopf, 1982); Michael Bonifer, The Art of “Tron” (New York: Little Simon, 1982). (The last is a children's book ..." |
 | | Screen Decades American Culture/American Cinema American Cinema of The 1920s : Themes and Variations by Lucy Fischer, Professor Jennifer Bean Digital, 309 Pages, Published 2014 by Rutgers University Press ISBN-13: 978-0-8135-4715-2, ISBN: 0-8135-4715-6 "In the fourth reel Adrienne marries Wallace and withdraws from her former theatrical life, taking on the role of dutiful, if extravagantly attired, wife. Unfortunately for Adrienne, she schooled Daisy a bit too well in the vampire's art, and she soon learns that her new husband is having an affair of his own, with the once innocent village maiden, now herself the reigning queen of Broadway. In the penultimate scene of the film, Adr ..." |
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Lucy Fischer
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