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  | | Screening Soviet Nationalities Kulturfilms from the Far North to Central Asia (KINO: The Russian and Soviet Cinema Series) by Oksana Sarkisova Hardcover, 304 Pages, Published 2016 by I.B.Tauris ISBN-13: 978-1-78453-573-5, ISBN: 1-78453-573-7 "Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. These films created blueprints of the Soviet domain’s scenic, cultural, and ethnographic perimeters and brought together – in many ways – disparate nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethn ..." |
 | | Arctic Cinemas and the Documentary Ethos by Lilya Kaganovsky, Scott Mackenzie, Anna Westerstahl Stenport 392 Pages, Published 2019 by Indiana University Press ISBN-13: 978-0-253-04032-9, ISBN: 0-253-04032-9 "The Wegge brothers or the members of the team at the weather station are not extraordinary polar heroes but ordinary people and antipolar heroes. ... In both films, the Arctic travelers are storm chasers and adrenaline tourists, but they are also searching for ways of making our ... DVD: NRK. Bjørnøya (Bear Island, Inge Wegge and Edda Grjotheim, Norway, 2014). DVD: Tour de Force / Another World ." |
 | | The Voice of Technology Soviet Cinema's Transition to Sound, 1928-1935 by Lilya Kaganovsky 295 Pages, Published 2018 by Indiana University Press ISBN-13: 978-0-253-03266-9, ISBN: 0-253-03266-0 "Robynn J. Stilwell and Phil Powrie (Bloomington: Indiana University Press, 2008) , 127. 3. See Richard Barrios, A Song in the Dark: ... Adrian Piotrovskii, “ Kinofikatsiia muzyki,” Zhizn' iskusstva 9 (1929); part of a series of articles in Zhizn' iskusstva, starting with Piotrovskii, followed by P. Vul'fius, V. Beliaev, and S. Gres. 5. Piotrovskii, “Kinofikatsiia muzyki.” 6. ... Molotovu o sniatiis prokata kinokartiny ' Garmon'' 27 av ..." |
 | | The Voice of Technology Soviet Cinema's Transition to Sound, 1928-1935 by Lilya Kaganovsky Paperback, 312 Pages, Published 2018 by Indiana University Press ISBN-13: 978-0-253-03265-2, ISBN: 0-253-03265-2 "As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema’s Transition to Sound, 1928–1935, Lilya Kaganovsky explores the history, practice, tech ..." |
 | | The Voice of Technology Soviet Cinema's Transition to Sound, 1928-1935 (Hardback) by Lilya Kaganovsky Hardcover, 312 Pages, Published 2018 by Indiana University Press, United States ISBN-13: 978-0-253-03264-5, ISBN: 0-253-03264-4 "In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in ..." |
 | | The Voice of Technology Soviet Cinema's Transition to Sound, 1928-1935 by Lilya Kaganovsky 312 Pages, Published 2018 by Indiana University Press ISBN-13: 978-0-253-03300-0, ISBN: 0-253-03300-4 "Their generosity also provided funding to hire graduate assistants, whom I am very happy to be able to thank here: Alexandra Van Doren, Tatiana Efremova, Marina Filipovic, Anya Hamrick, Meagan Smith, and Oleksandra Wallo. This book found a good home at Indiana University Press, and I am thankful to Raina Polivka for her initial interest in this project, and to Janice Frisch for seeing it through to its completion. I owe a great deb ..." |
 | | Sound, Speech, Music in Soviet and Post-Soviet Cinema by Lilya Kaganovsky, Masha Salazkina 314 Pages, Published 2014 by Indiana University Press ISBN-13: 978-0-253-01110-7, ISBN: 0-253-01110-8 "... and actions of Muzykal'naia istoriia.33 Propelled by, redoubling, and also thematizing the sympathetic economy of Eugene Onegin, this musical comedy celebrated emotional, rather than ideological, cohesion as a rightful communal unifier. ... to his Lensky's operatic plight—both were shown, to use Richard Dyer's formulation, to be “related to ordinary and familiar, albeit generally unarticulated, aspects of sentient life, to the ..." |
 | | Mad Men, Mad World Sex, Politics, Style, and the 1960s by Lilya Kaganovsky, Robert A. Rushing 432 Pages, Published 2013 by Duke University Press ISBN-13: 978-0-8223-9906-3, ISBN: 0-8223-9906-7 "Lidia is the most depressed character in La notte, flat and without affect, but she is persistently brought back to life by brief flirtations as she walks about the city— a waiting cabbie, two men passing by, her husband as they are about to go out to a nightclub. In something like the film's climax (if that term can be applied to Antonioni's films), Lidia is caught in a downpour with Roberto (Giorgio Negro), who has pursued her all ..." |
 | | How the Soviet Man Was Unmade Cultural Fantasy and Male Subjectivity under Stalin (Russian and East European Studies) by Lilya Kaganovsky Paperback, 256 Pages, Published 2008 by University Of Pittsburgh Press ISBN-13: 978-0-8229-5993-9, ISBN: 0-8229-5993-3 "In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin ..." |
 | | How the Soviet Man Was Unmade Cultural Fantasy and Male Subjectivity under Stalin by Lilya Kaganovsky Published 2008 ISBN-13: 978-1-322-09636-0, ISBN: 1-322-09636-8 |
 | | Pitt Russian East European How the Soviet Man Was Unmade : Cultural Fantasy and Male Subjectivity under Stalin by Lilya Kaganovsky 226 Pages, Published 2008 by University Of Pittsburgh Pre ISBN-13: 978-0-8229-7343-0, ISBN: 0-8229-7343-X "7. As Birgit Beumers notes, contemporary filmmakers (Abuladze, German, Mikhalkov, and others) have gone out of their way to demythologize the Stalinist heritage. Only Livnev, however, has "re-created myth in a postmodernist tradition to highlight the false nature of the myth in the first place." Birgit Beumers, "Myth- Making and Myth-Taking: Lost Ideals and the War in Contemporary Russian Cinema," Canadian Slavonic Papers 42 (2000) ..." |
 | | Arctic Cinemas and the Documentary Ethos by Lilya Kaganovsky, Scott Mackenzie, Anna Westerstahl Stenport, Indiana Univ Pr Paperback, 372 Pages, Published 2019 by Indiana Univ Pr ISBN-13: 978-0-253-04030-5, ISBN: 0-253-04030-2 "Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds c ..." |
 | | Mad Men, Mad World Sex, Politics, Style, and the 1960s by Lilya Kaganovsky, Robert A. Rushing Hardcover, 432 Pages, Published 2013 by Duke University Press Books ISBN-13: 978-0-8223-5402-4, ISBN: 0-8223-5402-0 "Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, archi ..." |
 | | Mad Men, Mad World Sex, Politics, Style, and the 1960s by Lilya Kaganovsky, Robert A. Rushing Paperback, 432 Pages, Published 2013 by Duke University Press Books ISBN-13: 978-0-8223-5418-5, ISBN: 0-8223-5418-7 "Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, archi ..." |
 | | Arctic Cinemas and the Documentary Ethos by Lilya Kaganovsky, Scott Mackenzie, Anna Westerstahl Stenport 392 Pages, Published 2019 by Indiana University Press ISBN-13: 978-0-253-04031-2, ISBN: 0-253-04031-0 "And as Anna Westerstahl Stenport and I have argued elsewhere, the documentary films made by the Walt Disney Company in the 1950s are ... and Men Against the Arctic (Winston Hibler, United States, 1955), and the Academy Award–winning documentary feature White Wilderness (James Algar, United States, 1958) all deploy anthropomorphism to universalize the lives of animals and inhabitants alike ..." |