The Great Fossil Enigma(Illustrated) The Search for the Conodont Animal (Life of the Past) by Professor SimonJ. Knell, SimonJ. Lknell Hardcover, 440 Pages, Published 2012 by Indiana University Press ISBN-13: 978-0-253-00604-2, ISBN: 0-253-00604-X
"Stephen Jay Gould borrowed from Winston Churchill when he described the conodont animal as a "riddle wrapped in a mystery inside an enigma." This animal confounded science for more than a century. Some thought it a slug, others a fish, a worm, a plant, even a primitive ancestor of ourselves. The list of possibilities grew and yet an answer to the riddle never seemed any nearer. Would the animal that left behind these miniscule fossils k ..."
"An examination of the development of geology collections in the first half of the 19th century. It investigates the social motives of science and demonstrates that these, as much as any wish to pursue natural knowledge, determined what geology became, the process by which it evolved and those who participated. From individual collector, through evolving curatorial profession and provincial philosopher, to government-funded science, this ..."
Museums in the Material World(1st Edition) (Leicester Readers in Museum Studies) by SimonJ. Knell Paperback, 392 Pages, Published 2007 by Routledge ISBN-13: 978-0-415-41699-3, ISBN: 0-415-41699-X
The Contemporary Museum(1st Edition) Shaping Museums for the Global Now by SimonJ. Knell Paperback, 250 Pages, Published 2018 by Routledge ISBN-13: 978-0-8153-6493-1, ISBN: 0-8153-6493-8
"The Contemporary Museum issues a challenge to those who view the museum as an artefact of history, constrained in its outlook as much by professional, institutional and disciplinary creed, as by the collections it accumulated in the distant past. Denying that the museum can locate its purpose in the pursuit of tradition or in idealistic speculation about the future, the book asserts that this can only be found through an ongoing and pro ..."
"This book exposes the many meanings of collections, the different perspectives taken by different cultures, and the institutional response to the collecting problem."
"Museums are public places where objects, images and memories are kept and shared. They exist in infinite variety and contradiction. They can be places of great excitement and great boredom, sharply insightful and hopelessly bland. Museums are anything that the political climate and the imagination allows them to be. No two museums are the same. The papers which make up this volume give ample evidence of the variety of views that exist a ..."
Care of Collections(1st Edition) (Leicester Readers in Museum Studies) by SimonJ. Knell, Fiona Mclean: Paperback, 300 Pages, Published 1994 by Routledge ISBN-13: 978-0-415-11285-7, ISBN: 0-415-11285-0
The Museum’s Borders On the Challenge of Knowing and Remembering Well by SimonKnell 198 Pages, Published 2020 by Routledge ISBN-13: 978-1-00-019804-1, ISBN: 1-00-019804-9
"30 Laura Barnett, 'Frank Bowling and the politics of abstract painting', Guardian, 2
July 2012. 31 Frank Bowling, 'It is not ... Many of Bowling's writings are curated at
http://frankbowling.blogspot.com/ (accessed March 2020). See Frank Bowling ..."
The Contemporary Museum Shaping Museums for the Global Now by SimonKnell 238 Pages, Published 2018 by Routledge ISBN-13: 978-1-351-10639-9, ISBN: 1-351-10639-2
"Museum as Process: Translating Local and Global Knowledges (London:
Routledge, 2015). ... futures: plural provenances and the Kwakwaka'wakw
collection in Berlin', in Ray Silverman, Museum as Process, 38. ... See: Jim
Specht and Carolyn MacLulich, 'Changes and challenges: the Australian
Museum and Indigenous communities', in Paulette M. McManus (ed.) ... For
critical commentary on the first report, see Tim Sullivan, Lynda Kelly and ..."
National Galleries The Art of Making Nations by SimonKnell 274 Pages, Published 2016 by Routledge ISBN-13: 978-1-317-43242-5, ISBN: 1-317-43242-8
"Many art historians, it should be noted, who claim art as universal and beyond
politics, object to these often politically motivated subdivisions. These different
arrangements reflect the differing conceptualisations and purposes of
international and national art. The National Gallery in London is not alone in
fearing that the sheer quantity of national art might swamp and weaken the
international survey. International art, more so ..."
"That was the explicit objective of Pontus Hultén, the Director of Moderna Museet
from 1960 until 1973 and the man who had sanc- tioned Nielsen's 'experiment'. In
the catalogue to Modellen, Hultén declared boldly that the exhibition provided
nothing less than 'a model of a new form of society'. He used this to advocate a ...
In the introduction its editor noted that 'actual participation [or 'full participation'] in
a work of art co ..."