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Books by Robin Means Coleman
  | | Watching While Black Centering the Television of Black Audiences by Andre Cavalcante, Christine Acham, Devorah Heitner, Professor Jennifer Fuller, Eric Pierson, Nghana Lewis, Reighan Gillam, Nsenga Burton, Timothy Havens, Racquel Gates, Robin Means Coleman, Treaandrea M. Russworm, Kristen J. Warner, Kim M. Leduff, Mark D. Cunningham, Deborah Elizabeth Whaley, Beretta Smith-Shomade Hardcover, 280 Pages, Published 2013 by Rutgers University Press ISBN-13: 978-0-8135-5387-0, ISBN: 0-8135-5387-3 "Television scholarship has substantially ignored programming aimed at Black audiences despite a few sweeping histories and critiques. In this volume, the first of its kind, contributors examine the televisual diversity, complexity, and cultural imperatives manifest in programming directed at a Black and marginalized audience."Watching While Black" considers its subject from an entirely new angle in an attempt to understand the lives, mo ..." |
 | | Fight the Power! The Spike Lee Reader(1st Edition) by Dr Janice D. Hamlet, Spike Lee Paperback, 417 Pages, Published 2008 by Peter Lang Inc., International Academic Publishers ISBN-13: 978-1-4331-0236-3, ISBN: 1-4331-0236-6 "Shelton Jackson -Spike- Lee is one of the most culturally influential and provocative film directors of the twentieth and twenty-first centuries. Bringing together seminal writings - from classic scholarship to new research - this book focuses on this revolutionary film auteur and cultural provocateur to explore contemporary questions around issues of race, politics, sexuality, gender roles, filmmaking, commercialism, celebrity, and the ..." |
 | | Horror Noire(1st Edition) Blacks in American Horror Films from the 1890s to Present by M. Datta Paperback, 296 Pages, Published 2011 by Routledge ISBN-13: 978-0-415-88020-6, ISBN: 0-415-88020-3 |
 | | The Blacker the Ink Constructions of Black Identity in Comics and Sequential Art by Professor Frances Gateward, Associate Professor John Jennings, Nancy Goldstein, Sally Mcwilliams, Consuela Francis, Andre Carrington, Reynaldo Anderson, Qiana Whitted, Craig Fischer, Rebecca Wanzo, Kinohi Nishikawa, Daniel F. Yezbick, Patrick F. Walter, Robin Means Coleman, William Lafi Youmans, Hershini Bhana Young, Professor Blair Davis, James J. Ziegler, Frances Gateward, John Jennings, Blair Davis, James J. Zeigler, Frances K. Gateward Paperback, 356 Pages, Published 2015 by Rutgers University Press ISBN-13: 978-0-8135-7233-8, ISBN: 0-8135-7233-9 "When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black ..." |
 | | The Blacker the Ink Constructions of Black Identity in Comics and Sequential Art by Professor Frances Gateward, Associate Professor John Jennings, Daniel F. Yezbick, Professor Blair Davis, Sally Mcwilliams, Patrick F. Walter, Nancy Goldstein, Robin Means Coleman, William Lafi Youmans, Consuela Francis, Andre Carrington, Reynaldo Anderson, Kinohi Nishikawa, Qiana Whitted, Craig Fischer, Hershini Bhana Young, James J. Zeigler, Rebecca Wanzo, James J. Ziegler Hardcover, 356 Pages, Published 2015 by Rutgers University Press ISBN-13: 978-0-8135-7234-5, ISBN: 0-8135-7234-7 "When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black ..." |
 | | African American Viewers and the Black Situation Comedy(1st Edition) Situating Racial Humor (Studies in African American History and Culture) by Robin Means Coleman Hardcover, 384 Pages, Published 1998 by Routledge ISBN-13: 978-0-8153-3125-4, ISBN: 0-8153-3125-8 "Providing new insight into key debates over race and representation in the media, this ethnographic study explores the ways in which African Americans have been depicted in Black situation comedies-from 1950's Beulah to contemporary series like Martin and Living Single." |
 | | Horror Noire A History of Black American Horror from the 1890s to Present by Robin R. Means Coleman Hardcover, Published 2022 by Routledge ISBN-13: 978-0-367-76719-8, ISBN: 0-367-76719-8 |
 | | Horror Noire A History of Black American Horror from the 1890s to Present (Paperback or Softback) by Means Coleman, Robin R. Paperback, Published 2022 by Routledge 11/1/2022 ISBN-13: 978-0-367-70440-7, ISBN: 0-367-70440-4 |
 | | Watching While Black Centering the Television of Black Audiences by Andre Cavalcante, Christine Acham, Devorah Heitner, Eric Pierson, Professor Jennifer Fuller, Nghana Lewis, Reighan Gillam, Nsenga Burton, Timothy Havens, Racquel Gates, Kristen J. Warner, Treaandrea M. Russworm, Robin Means Coleman, Kim M. Leduff, Mark D. Cunningham, Deborah Elizabeth Whaley, Beretta Smith-Shomade, Rutgers University Press Paperback, 280 Pages, Published 2013 by Rutgers University Press ISBN-13: 978-0-8135-5386-3, ISBN: 0-8135-5386-5 "Television scholarship has substantially ignored programming aimed at Black audiences despite a few sweeping histories and critiques. In this volume, the first of its kind, contributors examine the televisual diversity, complexity, and cultural imperatives manifest in programming directed at a Black and marginalized audience. Watching While Black considers its subject from an entirely new angle in an attempt to understand the ..." |
 | | Say It Loud!(1st Edition) African American Audiences, Media and Identity by Robin Coleman Paperback, 336 Pages, Published 2002 by Routledge ISBN-13: 978-0-8153-3762-1, ISBN: 0-8153-3762-0 |
 | | Heroines of Film and Television Portrayals in Popular Culture by Norma Jones, Bob Batchelor, Maura Grady, Ryan Castillo, Katie Snyder, Katie Gibson, Pedro Ponce, Cassandra Bausman, Rekha Sharma, Carolyn Cocca, Maja Bajac-Carter, Jennifer K. Stuller, Dr Patrice M. Buzzanell, Jeffrey A. Brown, Cynthia J. Miller, Catherine Bailey Kyle, Carol A. Savery, Lien Fan Shen, Suzy D'enbeau, Miller/Means Coleman, Suzy DâEnbeau Paperback, 266 Pages, Published 2016 by Rowman & Littlefield Publishers ISBN-13: 978-1-4422-7564-5, ISBN: 1-4422-7564-2 |
 | | Women of Color and Social Media Multitasking Blogs, Timelines, Feeds, and Community by Keisha Edwards Tassie, Minu Basnet, Bernice Huiying Chan, Linda Charmaraman, Caitlin Gunn, Alexa A. Harris, Kandace L. Harris, Makini L. King, Layota Lee, Amanda Richer, Temple Price, Sonja M. Givens, Fatima Zahrae Alaoui Paperback, 194 Pages, Published 2017 by Lexington Books ISBN-13: 978-1-4985-2849-8, ISBN: 1-4985-2849-X |
 | | Women of Color and Social Media Multitasking Blogs, Timelines, Feeds, and Community by Keisha Edwards Tassie, Linda Charmaraman, Caitlin Gunn, Layota Lee, Amanda Richer, Minu Basnet, Bernice Huiying Chan, Alexa A. Harris, Kandace L. Harris, Makini L. King, Temple Price, Sonja M. Givens, Fatima Zahrae Alaoui, Lexington Books Hardcover, 188 Pages, Published 2015 by Lexington Books ISBN-13: 978-1-4985-2847-4, ISBN: 1-4985-2847-3 |
 | | Intercultural Communication for Everyday Life(1st Edition) by John R. Baldwin, Suchitra Shenoy-Packer, Alberto González, Professor Alberto Gonzalez, Alberto Gonzlez, Alberto Gonzã¡Lez Paperback, 370 Pages, Published 2014 by Wiley-Blackwell ISBN-13: 978-1-4443-3236-0, ISBN: 1-4443-3236-8 "Written for students studying intercultural communication for the first time, this textbook gives a thorough introduction to inter– and cross–cultural concepts with a focus on practical application and social action. Provides a thorough introduction to inter– and cross–cultural concepts for beginning students with a focus on practical application and social action Defines communication broadly using authors from a variety ..." |
 | | The Black Guy Dies First Black Horror Cinema from Fodder to Oscar by Coleman, Robin R. Means/ Harris, Mark H. Published 2023 by Blackstone Pub ISBN-13: 978-1-79715-290-5, ISBN: 1-79715-290-4 |
 | | African American Viewers and the Black Situation Comedy(1st Edition) Situating Racial Humor (Studies in African American History and Culture) by Coleman Means, Robin Rm Coleman Paperback, 384 Pages, Published 2001 by Routledge ISBN-13: 978-0-8153-3781-2, ISBN: 0-8153-3781-7 "Providing new insight into key debates over race and representation in the media, this ethnographic study explores the ways in which African Americans have been depicted in Black situation comedies-from 1950's Beulah to contemporary series like Martin and Living Single." |
 | | The Black Guy Dies First Black Horror Cinema from Fodder to Oscar by Mark H. Harris 336 Pages, Published 2023 by Simon And Schuster ISBN-13: 978-1-982186-55-5, ISBN: 1-982186-55-0 "... (Cathy Podewell) are left alive, he suggests they pray, but she dismisses him, just as others have dismissed his hysterics throughout the film—praying being just another one of his “antics.” Indeed, praying seems to be all he's capable ..." |
 | | Horror Noire A History of Black American Horror from the 1890s to Present by Robin R. Means Coleman 400 Pages, Published 2022 by Taylor & Francis ISBN-13: 978-1-00-077516-7, ISBN: 1-00-077516-X "This book is essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen." |
 | | The Black Guy Dies First Black Horror Cinema from Fodder to Oscar (Paperback) by Mark H. Harris Paperback, 336 Pages, Published 2023 by Gallery / Saga Press ISBN-13: 978-1-982186-53-1, ISBN: 1-982186-53-4 |
 | | Horror Noire Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman 296 Pages, Published 2013 by Routledge ISBN-13: 978-1-136-94294-5, ISBN: 1-136-94294-7 "... I must thank Carolann Madden, Editorial Assistant, and Stan Spring, (former) Senior Editorial Assistant, and Gail Newton, Production Editor, for managing this book project. To Lisa Williams, Copy Editor: I cannot thank you enough for helping to make this book “sing!” Your exacting attention to detail is enviable. I really enjoyed working with you. To those who worked on the production of this book, I thank you. I am particularl ..." |
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Robin Means Coleman
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