Seventies British Cinema by RobertShail Paperback, 208 Pages, Published 2008 by British Film Institute ISBN-13: 978-1-84457-273-1, ISBN: 1-84457-273-0
"Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off in critical discussions as a 'doldrums' period in British cinema, perhaps because the industry, facing near economic collapse, turned to 'unacceptable' low culture genres such as sexploitation comedies or extreme horror. The contributors to this new collection argue that 1970s cinema is ripe for reapprais ..."
"The horror genre will always remain current because it reflects our anxieties, shining a light onto our worst fears whilst creating worlds defined by darkness. Horror as a genre has always engaged with era-specific societal mores and moral panics, often about isolation or abandonment, changing family values and the role of women. It is often specifically about how gender is constructed in everyday life. Women are commonly defined in hor ..."
British Film Directors(1st Edition) A Critical Guide (International Film Directors): A Critical Guide (International Film Directors) by RobertShail Hardcover, 224 Pages, Published 2007 by Edinburgh University Press ISBN-13: 978-0-7486-2230-6, ISBN: 0-7486-2230-6
British Film Directors(1st Edition) A Critical Guide (Paperback) by RobertShail Paperback, 246 Pages, Published 2007 by Southern Illinois Univ Pr (Tx) ISBN-13: 978-0-8093-2833-8, ISBN: 0-8093-2833-X
"With its witty, literate script and suitably disdainful performance from Dennis Price
as Louis, the poor relation of the grand D'Ascoyne family who murders his way
towards the family inheritance, the film adopts a uniquely taciturn attitude towards
its dark subject matter. Alec Guinness is suitably outlandish playing all eight
victims (one of them female) and the film still seems remarkably modern in both
its critique of class and ..."
"Contemporary popular media has been marked by its startling ability to morph into a wide variety of formats, fed by the ongoing revolution in digital technology. Despite these significant changes, the horror genre has retained its attraction for audiences, and the representation of gender has been crucial to that appeal. Gender and Contemporary Horror in Comic, Games and Transmedia examines the impact of media convergence on the horror ..."
Crank it up(1st Edition) Jason Statham: star! by Steven Gerrard, RobertShail Hardcover, 272 Pages, Published 2019 by Manchester University Press ISBN-13: 978-1-5261-4277-1, ISBN: 1-5261-4277-5
"Jason Statham has risen from street seller through championship diving and modelling to become arguably the biggest British male film star of the twenty-first century. This is the first book to offer a critical analysis of his work across a variety of media, including film, television, video games and music videos. Each chapter focuses on a particular aspect of Statham’s career, from his distinctive screen presence to his style, brandin ..."
The Children's Film Foundation History and Legacy by RobertShail Hardcover, 208 Pages, Published 2016 by British Film Institute ISBN-13: 978-1-84457-858-0, ISBN: 1-84457-858-5
"From the 1950s to the 1980s the Children's Film Foundation made films for Saturday morning cinema clubs across the UK - entertaining and educating generations of British children. This first history of this much-loved organisation provides an overview of the CFF's films, interviews with key backstage personnel, and memories of audience members. "
Stanley Baker A Life in Film by RobertShail Hardcover, 160 Pages, Published 2008 by University Of Wales Press ISBN-13: 978-0-7083-2126-3, ISBN: 0-7083-2126-7
"For a small nation, Wales has produced a unique roster of acting talent. Few, however, could equal the level of film stardom experienced by Stanley Baker. His remarkable rise to fame took him from an impoverished childhood in the Rhondda Valley of South Wales to international stardom and acclaim in films such as "Zulu" and "Accident."As well as being an important figure in front of the camera, he became a producer and studio executive, ..."
"Robert HAMER The output of Ealing Studios tended to be dominated by the
house style imposed by its head, Michael Balcon. Occasionally, one or two of its
directors broke away from Balcon's ethos to produce work with a more personal,
individual quality. This is certainly true of Robert Hamer, a tragic figure in the
history of British cinema whose career ended early due to alcoholism, but who
left a small, deeply impressive body of wo ..."
British Film Directors A Critical Guide (International Film Directors): A Critical Guide (International Film Directors) by RobertShail Paperback, 224 Pages, Published 2007 by Edinburgh University Press ISBN-13: 978-0-7486-2231-3, ISBN: 0-7486-2231-4
"British national cinema has produced an exceptional track record of innovative, creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the si ..."
"As Danforth reacts with a 'No!' he looks down the track into the tunnel beyond.
The words 'Tekeli-li! Tekeli-li [...] TEKELI-LI' emerge from the blackness beyond. It
is clear that Lovecraft's most ambitious tale of forbidden knowledge is not readily
..."
"As Mary T. Hartson explains, 'Filmic representations of men from the 1970's
reflect the confusion that this change effected in masculine subject formation with
the result that male characters are often seen as self-destructive, confused,
violent or ..."
"Art director Bernard Robinson resigned, and then died of a heart attack at the age
of fifty-eight on 2 March 1970, minutes after tentatively agreeing to come back for
one last production.20 In 1971, Roy Skeggs, Hammer's accountant, became ..."
Crank It Up Jason Statham: Star! by Steven Gerrard, RobertShail 272 Pages, Published 2019 by Manchester University Press ISBN-13: 978-1-5261-4279-5, ISBN: 1-5261-4279-1
"... of action and treats every major, life threatening situation with a sense of
detachment. The fact that he performs the majority of his own stunts also
contributes to this performed masculinity and is frequently raised in interviews.
Philip G. Atwell ..."
"Her book, Jack the Ripper in Film and Culture: Top Hat, Gladstone Bag and Fog
was published in 2016. ... Dahlia Schweitzer is a pop culture critic and writer
based in Los Angeles, California. ... the author of Going Viral: Zombies, Viruses
and the End of the World and Cindy Sherman's Office Killer: Another Kind of
Monster."
Tony Richardson(1st Edition) (British Film Makers MUP) by RobertShail, Brian Mcfarlane, Neil Sinyard Hardcover, 192 Pages, Published 2012 by Manchester University Press ISBN-13: 978-0-7190-8100-2, ISBN: 0-7190-8100-9
"Tony Richardson was one of the key figures in the revolution which hit British cinema in the 1950s and 1960s. Having established his radical credentials as director of the first production of John Osborne's landmark play Look Back in Anger, he became the most productive of the New Wave film makers who brought realism to the fore in British cinema. He went on to make some of the most significant films of the 1960s including the multi Osc ..."
"... bought by Constantin Films in 1997, and in 2001, Sony Pictures Entertainment
acquired distribution rights and hired British film director Paul W. S. Anderson to
both write and direct the first movie. Anderson continued working in the franchise
..."
"But, as authors like Charlotte Brunsdon (1990), Sarah Cardwell (2007) or Brigitte
Frizzoni (2012) have already argued at length, the terms like 'Trash' and 'Quality'
are first and foremost actively constructed categories meant to organize and ..."
"History and Legacy Robert Shail ... In Britain he is under the care of Dr Fielding (
Ivor Danvers) and makes friends with the latter's two children, Kate (Debby
Padbury) and Peter (Ian Sears). Enter the villains, intent on kidnapping Poochook
to use his powers to generate electricity, but the children come to the rescue and
fetch him away to the house of their aunt (Diana King). The story culminates in a
lengthy chase around a car s ..."