"Southwestern ceramics have always been admired for their variety and aesthetic beauty. Although ceramics are most often used for placing the peoples who produced them in time, they can also provide important clues to past economic organization. This volume covers nearly 1000 years of southwestern prehistory and history, focusing on ceramic production in a number of environmental and economic contexts. It brings together the best of ..."
The House of the Cylinder Jars Room 28 in Pueblo Bonito, Chaco Canyon (Hardback) by PatriciaL. Crown Hardcover, 240 Pages, Published 2020 by University Of New Mexico Press, United States ISBN-13: 978-0-8263-6177-6, ISBN: 0-8263-6177-3
"Spontaneous acts of violence born of human emotions like anger or greed are probably universal, but social violence—violence resulting from social relationships within and between groups of people—is a much more complex issue with implications beyond archaeology. Recent research has generated multiple interpretations about the forms, intensity, and underlying causes of social violence in the ancient Southwest. Deborah L. Nichols and Pat ..."
The House of the Cylinder Jars Room 28 in Pueblo Bonito, Chaco Canyon by PatriciaL. Crown 320 Pages, Published 2020 by University Of New Mexico Press ISBN-13: 978-0-8263-6178-3, ISBN: 0-8263-6178-1
"The House of the Cylinder Jars details the archaeological excavations led by Patricia L. Crown at Pueblo Bonito’s famed Room 28 in Chaco Canyon in 2013."
"of clearly Mesoamerican objects in the Chaco world come from Pueblo Bonito. ...
south of Pueblo Bonito as trash mounds, areas for sacrifice of items during ritual
events, ritual architecture, and gardens. ... of important issues can be addressed
by examining the refuse at Pueblo Bonito (see enumeration of issues in Neitzel
2003a:7–8; see also Judge et al. ... each mound and one between the mounds
as part of the 1920s National Geogr ..."
"This is the first independent publication devoted to the work of Edward Francis Burney. It also serves as an introduction to his life and artistic achievement, which are little known to art historians despite his prolific and varied activity during an important period in British art, 1780 to 1840."