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Books by Jim Hillier
  | | 100 Film Noirs. Palgrave Macmillan. 2009. by Jim Hillier, Alastair Hillier Phillips Paperback, 296 Pages, Published 2009 by British Film Institute ISBN-13: 978-1-84457-216-8, ISBN: 1-84457-216-1 "Film noir's popularity with cinema audiences, enthusiasts and scholars has remained unabated since post-war French critics began discerning a new trend in American film with the release of such stylish and atmospheric crime features as Double Indemnity and Murder, My Sweet. Many of Hollywood's greatest directors such as Fritz Lang and Robert Siodmak are now closely associated with film noir's psychologically acute observations of the da ..." |
 | | 100 Film Noirs (BFI Screen Guides) by Jim Hillier, Alastair Hillier Phillips Hardcover, 296 Pages, Published 2009 by Palgrave Macmillan ISBN-13: 978-1-84457-215-1, ISBN: 1-84457-215-3 "Film noir's popularity with cinema audiences, enthusiasts and scholars has remained unabated since post-war French critics began discerning a new trend in American film with the release of such stylish and atmospheric crime features as Double Indemnity and Murder, My Sweet. Many of Hollywood's greatest directors such as Fritz Lang and Robert Siodmak are now closely associated with film noir's psychologically acute observations of the da ..." |
 | | Cahiers du Cinéma(Updated) 1960-1968: New Wave, New Cinema, Reevaluating Hollywood (Harvard Film Studies) (v. 2) by Jim Hillier Paperback, 384 Pages, Published 1992 by Harvard University Press ISBN-13: 978-0-674-09065-1, ISBN: 0-674-09065-9 " In the turbulent sixties, the provocative French film journal Cahiers du Cinema was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, François Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal's laudatory ..." |
 | | 100 Documentary Films (Bfi Screen Guides) by Professor Barry Keith Grant, Jim Hillier Paperback, 272 Pages, Published 2009 by British Film Institute ISBN-13: 978-1-84457-264-9, ISBN: 1-84457-264-1 "Documentary films constitute a major part of film history. Cinema's origins lie, arguably, more in non-fiction than fiction, and documentary represents the other - often submerged and barely visible - 'half' of cinema history. Historically, documentary cinema has always been an important point of reference for fiction cinema, and the two have often overlapped. Over the last two decades, documentary cinema has enjoyed a revival in critic ..." |
 | | The Film Studies Dictionary (Arnold Student Reference) by Steven Blandford, Barry Keith Grant, Jim Hillier, Jim Hiller Hardcover, 296 Pages, Published 2001 by Hodder Education Publishers ISBN-13: 978-0-340-74190-0, ISBN: 0-340-74190-2 "This unique reference work is designed to bridge the gap between guides and dictionaries that are primarily academic and theoretical and those that deal mainly in technical jargon. Above all, it is aimed at students of film and media who are likely to encounter a wide range of specialist language in a variety of places--in film reviews, critical essays, interviews with filmmakers and stars, and academic and Internet publications. The Fi ..." |
 | | The Film Studies Dictionary(1st Edition) (Arnold Student Reference) by Barry Keith Grant, Steven Blandford, Jim Hillier, Jim Hiller Paperback, 328 Pages, Published 2000 by Bloomsbury Usa ISBN-13: 978-0-340-74191-7, ISBN: 0-340-74191-0 "This unique reference work is designed to bridge the gap between guides and dictionaries that are primarily academic and theoretical and those that deal mainly in technical jargon. Above all, it is aimed at students of film and media who are likely to encounter a wide range of specialist language in a variety of places--in film reviews, critical essays, interviews with filmmakers and stars, and academic and Internet publications. The Fi ..." |
 | | Howard Hawks(1st Edition) American Artist by Jim Hillier, Peter Wollen, British Film Institute Paperback, 252 Pages, Published 1997 by British Film Institute ISBN-13: 978-0-85170-593-4, ISBN: 0-85170-593-6 "Howard Winchester Hawks (1896 - 1977) was an American film director, producer and screenwriter of the classic Hollywood era. Critic Leonard Maltin called him "the greatest American director who is not a household name." Hawks was a versatile director whose career included comedies, dramas, gangster films, science fiction, film noir, and westerns. His most popular films include Scarface (1932), Bringing Up Baby (1938), Only Angels Have ..." |
 | | Cahiers du Cinéma(Updated) The 1950s: Neo-Realism, Hollywood, New Wave (Harvard Film Studies) by Jim Hillier Paperback, 328 Pages, Published 1985 by Harvard University Press ISBN-13: 978-0-674-09061-3, ISBN: 0-674-09061-6 "Cahiers du Cinéma is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue.The selections in this volume are drawn from the colorful first decade of Cahiers, 1951–1959, when a group of young iconoclasts rocked the world of film criticism with their provocative views on international cinema―American, Italian, and French in particular. ..." |
 | | 100 Film Musicals (Screen Guides) by Douglas Pye, Jim Hillier, J. Gibbs Hardcover, 288 Pages, Published 2011 by British Film Institute ISBN-13: 978-1-84457-379-0, ISBN: 1-84457-379-6 "i"?From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting -- often in spectacular fashion -- the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonl ..." |
 | | Cahiers du Cinema 4 Vol Set(Reprint) by Nick Browne, Jim Hillier, Nick Browne: Ji, David Wilson Hardcover, Published 2009 by Routledge ISBN-13: 978-0-415-42503-2, ISBN: 0-415-42503-4 "The Cashiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late twentieth century culture. The volumes reprinted here contain articles from 1951 through to 1972. This is the only source where Cashiers is systematically represented in English." |
 | | 100 Documentary Films by Barry Keith Grant, Jim Hillier 272 Pages, Published 2019 by Bloomsbury Publishing ISBN-13: 978-1-83871-401-7, ISBN: 1-83871-401-4 "... lost cities, taboos and Clyde Beatty heroics – is surely intended to resonate in just this way. JH Dir: Errol Morris; Prod: Errol Morris, Lindsay Law (exec. prod), Mark Lipson, Julia Sheehan, Kathy Trustman (co-prods); Phot: Robert Richardson." |
 | | 100 Film Musicals by Douglas Pye, Jim Hillier 288 Pages, Published 2019 by Bloomsbury Publishing ISBN-13: 978-1-83871-404-8, ISBN: 1-83871-404-9 "Pas sur la bouche (Not on the Lips) is a largely faithful adaptation of a 1925 French light operetta-cum-bedroom farce. ... Gilberte's unmarried sister Arlette ( Isabelle Nanty), Charley (Jalil Lespert), Gilberte's husband Georges (Pierre Arditi ), Eric ..." |
 | | Cahiers du Cinéma, The 1950s(Updated) Neo-Realism, Hollywood, New Wave (Harvard Film Studies) (v. 1) by Jim Hillier, Jim Hiler Hardcover, 328 Pages, Published 1985 by Harvard University Press ISBN-13: 978-0-674-09060-6, ISBN: 0-674-09060-8 " Cahiers du Cinema is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue. The selections in this volume are drawn from the colorful first decade of Cahiers, 1951-1959, when a group of young iconoclasts racked the world of film criticism with their provocative views an international cinema--American, Italian, and French in particular. T ..." |
 | | 100 Film Musicals (BFI Screen Guides) by Douglas Pye, Jim Hillier, J. Gibbs Paperback, 288 Pages, Published 2011 by British Film Institute ISBN-13: 978-1-84457-378-3, ISBN: 1-84457-378-8 "i"?From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting -- often in spectacular fashion -- the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonl ..." |
 | | The New Hollywood by Jim Hillier Hardcover, 192 Pages, Published 1994 by Continuum Intl Pub Group ISBN-13: 978-0-8264-0638-5, ISBN: 0-8264-0638-6 "The studio system, which had dominated Hollywood for more than half a century, finally fell apart in the late 1960s. The uncertainty that followed opened the way for independent producers, many of whom were already specializing in exploitation movies with titles like Slumber Party Massacre, which were targeted at the 12-to-20-year-old age group. These films, with their starvation budgets and impossible shooting schedules, gave a start t ..." |
 | | The New Hollywood(Updated) by Jim Hillier Paperback, 256 Pages, Published 1994 by Cassell Illustrated ISBN-13: 978-0-289-80130-7, ISBN: 0-289-80130-3 |
 | | The New Hollywood by Jim Hillier Hardcover, 192 Pages, Published 1992 by Studio Vista ISBN-13: 978-0-289-80049-2, ISBN: 0-289-80049-8 "The new Hollywood, paperback, Fine, content clean and unmarked, not ex/lib, dust jacket very light shelf wear" |
 | | Studies in Documentary (Cinema one, 21) by Alan Lovell, Jim Hillier Hardcover, 176 Pages, Published 1972 by Viking ISBN-13: 978-0-670-67966-9, ISBN: 0-670-67966-6 "Book by Lovell, Alan, Hillier, Jim" |
 | | Cahiers du Cinéma(Updated) 1960-1968: New Wave, New Cinema, Reevaluating Hollywood (Harvard Film Studies) (v. 2) by Jim Hillier Hardcover, 384 Pages, Published 1987 by Harvard University Press ISBN-13: 978-0-674-09062-0, ISBN: 0-674-09062-4 " In the turbulent sixties, the provocative French film journal Cahiers du Cinema was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, François Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal's l ..." |
 | | Screen Guides 100 Documentary Films by Jim Hillier, Barry Keith Grant 280 Pages, Published 2017 by Palgrave Macmillan ISBN-13: 978-1-84457-551-0, ISBN: 1-84457-551-9 "Georges. Franju. In many parts of post-war Europe, cinema programming favoured short films, very often documentaries, rather than feature double bills, allowing short films to be part of mainstream distribution and exhibition and carry some prestige. In France, short films were eligible for primes de qualité (financial awards), making them an ideal training ground for future feature film directors. Georges Franju directed a signifi ..." |
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