Ilan Eshkeri's Stardust(76th Edition) A Film Score Guide (Film Score Guides) by IanSapiro Paperback, 186 Pages, Published 2013 by Scarecrow Press ISBN-13: 978-0-8108-9165-4, ISBN: 0-8108-9165-4
"Based on Neil Gaiman s novel of the same name, Stardust (2007) was an instant hit with fans of fantasy and science-fiction. The film follows the adventures of a young man who crosses through a gap in a wall which separates England from a magical kingdom. The fantastical atmosphere required by the narrative is maintained by the scale and grandeur of much of the musical score, written by rising British composer Ilan Eshkeri. Trained in th ..."
"Trevor Jones is one of the most successful contemporary British-based composers of film and television music and is seen by his peers as an influential figure in the industry. He is distinguished by the range and volume of high profile projects he has worked on, the directors with whom he has collaborated, and his development of novel approaches to the creation of film music. Jones has been active in an industry that has experienced a p ..."
"Jones's previous work with Henson resulted in his involvement in the project at a
much earlier stage than would be ... in his score, drawing on a wide range of
electronic sound effects for the film (shard, tinkles, raindrops, cymbal fx, stab fx,
etc.) ..."
Scoring the Score The Role of the Orchestrator in the Contemporary Film Industry by IanSapiro 244 Pages, Published 2016 by Routledge ISBN-13: 978-1-317-93487-5, ISBN: 1-317-93487-3
"... of composition to come under the heading of aorchestrating« since it would not
constitute an aalteration or addition to the structure« of the piece (as per part (c)
of the regulations). Similarly, part (b) is of particular interest, especially the notion
that orchestrating is not a acreative contribution« to the piece. In his discussion of
Mychael Danna«s score for The Ice Storm, Miguel Mera notes that the role of
Jamie Hopkins ..."
Scarecrow Film Score Guides Ilan Eshkeri's Stardust: a Film Score Guide by IanSapiro 184 Pages, Published 2013 by Scarecrow Press ISBN-13: 978-0-8108-9166-1, ISBN: 0-8108-9166-2
"Film Score and Film Song Vaughn also influenced the music of Stardust by
approaching Take That to write and perform the film's closing credit song.59 In
the introduction to Popular Music and Film, Ian Inglis comments that “the use of
popular music as a soundtrack device, or as the provider of a theme song, is now
commonplace,”60 and in the contemporary industry films with orchestral scores
will often close with a pop song. However, ..."
"What has been described as second generation film musicology is both building on, and challenging the orthodoxies of, the pioneering work of scholars who published in the final two decades of the twentieth century. CineMusic? Constructing the Film Score is representative of this new scholarship, approaching the construction of the film score from a number of perspectives, from the primarily practical to the more abstract and theoretical ..."
Scoring the Score(1st Edition) The Role of the Orchestrator in the Contemporary Film Industry by Ian Dr Sapiro Paperback, 244 Pages, Published 2016 by Routledge ISBN-13: 978-0-415-72323-7, ISBN: 0-415-72323-X
Scoring the Score(1st Edition) The Role of the Orchestrator in the Contemporary Film Industry by Ian Dr Sapiro Hardcover, 244 Pages, Published 2016 by Routledge ISBN-13: 978-0-415-72322-0, ISBN: 0-415-72322-1