"Writing Taiwan is the first volume in English to examine the entire span of modern Taiwan literature, from the first decades of the twentieth century to the present. In this collection, leading literary scholars based in Taiwan and the United States consider prominent Taiwanese authors and works in genres including poetry, travel writing, and realist, modernist, and postmodern fiction. The diversity of Taiwan literature is signaled by t ..."
"This book positions the lyrical as key to rethinking the dynamics of Chinese modernity and emphasizes Chinese lyricism's deep roots in its own native traditions, along with Western influences. Although the lyrical may seem like an unusual form for representing China's social and political crises in the mid-twentieth century, David Der-wei Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordin ..."
" This volume addresses cultural and literary transformation in the late Ming (1550-1644) and late Qing (1851-1911) eras. Although conventionally associated with a devastating sociopolitical crisis, each of these periods was also a time when Chinese culture was rejuvenated. Focusing on the twin themes of crisis and innovation, the seventeen chapters in this book aim to illuminate the late Ming and late Qing as eras of literary-cultural i ..."
Fin-de-Siecle Splendor(1st Edition) Repressed Modernities of Late Qing Fiction, 1849-1911 by DeweiWang, David Der Wang Hardcover, 433 Pages, Published 1997 by Stanford University Press ISBN-13: 978-0-8047-2845-4, ISBN: 0-8047-2845-3
"The reigning view of literary historians has been that the May Fourth movement of 1919 marks the division between the traditional and the modern in Chinese literature. This book argues that signs of reform and innovation can be discerned long before May Fourth, and that as China entered the arena of modern, international history in the late Qing, it was already developing its own complex matrix of incipient modernities. It demonstrates ..."
"In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei W ..."
"Whampoa Military Academy was China's first modern military institution. For decades the "Spirit of Whampoa" was invoked as the highest praise to all Chinese soldiers who guarded their nation heroically. But of all the battles these soldiers have fought, the most challenging one was the civil war that resulted in the "great divide" of China in the mid-twentieth century. In 1949 the Communists exiled a million soldiers and their families ..."
"What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new volume in the Harvard Contemporary China Series - now under the editorial direction of Harvard University Press - demonstrates that these two periods of the highest literary and cinematic creativity in 20th-century China share several aims: to liberat ..."
"In other words, nostalgia might function both as means and end in Shen
Congwen's native soil literature. What the reader is fascinated with is really his or
her own action of reading about the lost homeland rather than the homeland itself
. What might have never existed is exactly what we are looking forward to. When
anticipation and nostalgia are intertwined, it is imaginary nostalgia, not nostalgia,
that weaves the spell of The Bo ..."
"Literature, from the Chinese perspective, makes manifest the cosmic patterns that shape and complete the world--a process of "worlding" that is much more than mere representation. In that spirit, A New Literary History of Modern China looks beyond state-sanctioned works and official narratives to reveal China as it has seldom been seen before, through a rich spectrum of writings covering Chinese literature from the late-seventeenth cent ..."
"(Translated by Kristina M. Torgeson) 1 VT. t daybreak the mother fish, looking
stately and solemn, was floating on its back on the surface of the water, its entire
body covered with a translucent silvery sheen of extraordinary luminosity. On
each ..."
"Beginning by examining President Xi Jinping's call in 2013 to "tell the good China story," Wang illuminates how contemporary Chinese cultural politics have taken a "fictional turn," which can trace its genealogy to early modern times."
"History, Culture, Memory Ping-hui Liao, David Der-Wei Wang. ), and other
classics were written. It is enough for a language” (Zheng). The views cited above
all considered the Peking dialect to have nothing special to offer; Taiwan's
common language was closely similar to it, and therefore a change was not all
that necessary. In his “Letter to Luo Hequan,” Zhang Chunfu, a member of both
the Taiwan Ying Society and the Star Society, ..."
The Monster That Is History History, Violence, and Fictional Writing in Twentieth-century China by DeweiWang Published 2004 ISBN-13: 978-1-4175-7401-8, ISBN: 1-4175-7401-1
The Monster That Is History History, Violence, and Fictional Writing in Twentieth-Century China by David Wang, DeweiWang Hardcover, 409 Pages, Published 2004 by University Of California Press ISBN-13: 978-0-520-23140-5, ISBN: 0-520-23140-6
"In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei W ..."
"Pang-yuan Chi, David Der-Wei Wang. guests, ladies and gentlemen, today I am
going to introduce to you . . .”32 Hey, you! Don't start staring! The little girl who is
reading a novel (on the sly) under the tiny light bulb in the fifth housing unit is
also very cute. She could be Zhang Xiaofeng, or Ai Ya, or Han Han, or Yuan
Qiongqiong, or Feng Qing, or Su Weizhen, or Jiang Xiaoyun, or Zhu Tianwen (
listed in order of age); anyway, she ..."
Running Wild(Updated) New Chinese Writers (Translation Center Books) by Editor-Jeanne Tai, DeweiWang Hardcover, 264 Pages, Published 1994 by Columbia University Press ISBN-13: 978-0-231-09648-5, ISBN: 0-231-09648-8
"14 writers from mainland China, Hong Kong and Taiwan, the United States and New Zealand. An intriguing introduction to the multitude of new voices in Chinese literature."
From May Fourth to June Fourth Fiction and Film in Twentieth-Century China (HARVARD CONTEMPORARY CHINA SERIES) by Ellen Widmer, DeweiWang Hardcover, 464 Pages, Published 1993 by Harvard University Press ISBN-13: 978-0-674-32501-2, ISBN: 0-674-32501-X
" What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, ..."
"The first study of colonial Taiwan in English, this volume brings together seventeen essays by leading scholars to construct a comprehensive cultural history of Taiwan under Japanese rule. Contributors from the United States, Japan, and Taiwan explore a number of topics through a variety of theoretical, comparative, and postcolonial perspectives, painting a complex and nuanced portrait of a pivotal time in the formation of Taiwanese nat ..."