"Revisit the comic stylings of Ice Cube, Cedric the Entertainer, Sean Patrick Thomas, Eve, and Queen Latifah in these special editions of BARBERSHOP (2002) and BARBERSHOP 2 (2004). See individual titles for plot synopses. Also contains a headband."
"Starring Joan Allen, The Upside of Anger spans three years of a woman's life following her husband's sudden disappearance. Terry Wolfmeyer (Allen), an affluent suburban Detroit wife and mother, goes from a paragon of sweetness to a volcano of rage in the wake of her husband's desertion; she thinks he has jetted off to Sweden with his Swedish secretary. Barely holding it together for her four daughters (distinctively played by Alicia Wit ..."
"Matt Lee Whitlock sorgt im verschlafenen Floridastädtchen Banyan Bay als respektierter Polizeichef für Ordnung. In seinem Privatleben zieht aber Chaos ein. Obwohl er noch immer seine Frau Alex liebt, von der er getrennt lebt, stürzt er sich in eine heiße Affäre mit seiner verheirateten Jugendliebe Ann Harrison. Als bei Ann Krebs festgestellt wird und nur eine teure Therapie ihr Leben verlängern kann, unterschlägt Matt fast eine halbe Mi ..."
"With "cool eroticism, intelligence and intensity" (Playboy), this eerie futuristic thriller,based on Margaret Atwood's controversial and critically acclaimed best-selling novel, is filled with "large themes and deep thoughts" (Roger Ebert). Boasting a phenomenal cast, including Natasha Richardson (Nell) and Oscar(r) winners* Faye Dunaway (Network) and Robert Duvall (Tender Mercies), this film "dazzles with its ingenuity and shocks with ..."
"One of the biggest teases in film history, this film's sensational plot finds a young wife (Demi Moore) solicited for sex by a wealthy bachelor (Robert Redford), for which the latter offers to pay a cool million bucks to her and her underachieving husband (Woody Harrelson). The two accept Redford's deal, and their marriage is ruined. The twist in the film, though, is that the sin doesn't lie with the rich guy, but rather with this unfoc ..."
"Set in a time when a buildup of toxic chemicals has made most people sterile, Volker Schlondorff's film offers a disturbing view of a society under martial law in which fertile women are captured and made into handmaids to bear children for rich and infertile matrons. The film unfolds from the eyes of newly converted handmaid Kate (Natasha Richardson). She is trapped in this mysogynistic society which both deifies these fertile women as ..."