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  | | Cambridge Studies in Renaissance Literature and Culture Ser. Mimesis and Empire : The New World, Islam, and European Identities by Barbara Fuchs, Stephen Orgel, Anne Barton, Jonathan Dollimore, Marjorie Garber, Jonathan Goldberg, Nancy Vickers, Peter Holland, Kate Mcluskie Digital, Published by Cambridge University Press ISBN-13: 978-0-511-15351-8, ISBN: 0-511-15351-1 "Here the author explores the dynamics of imitation among early modern European powers in literary and historiographical texts from sixteenth and early seventeenth-century Spain, Italy, England, and the New World. The book considers a broad sweep of material, including European representations of New World subjects and of Islam. It supplements the transatlantic perspective on early modern imperialism with an awareness of the situation in ..." |
 | | Mimesis and Empire(Updated) The New World, Islam, and European Identities (Cambridge Studies in Renaissance Literature and Culture) by Barbara Fuchs, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Paperback, 228 Pages, Published 2004 by Cambridge University Press ISBN-13: 978-0-521-54350-7, ISBN: 0-521-54350-9 "As powerful, pointed imitation, cultural mimesis can effect inclusion in a polity, threaten state legitimacy, or undo the originality upon which such legitimacy is based. In Mimesis and Empire , first published in 2001, Barbara Fuchs explores the intricate dynamics of imitation and contradistinction among early modern European powers in literary and historiographical texts from sixteenth- and early seventeenth-century Spain, Italy, Engl ..." |
 | | Mimesis and Empire(Updated) The New World, Islam, and European Identities (Cambridge Studies in Renaissance Literature and Culture) by Barbara Fuchs, Anne Barton, Stephen Orgel, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 228 Pages, Published 2001 by Cambridge University Press ISBN-13: 978-0-521-80102-7, ISBN: 0-521-80102-8 "As powerful, pointed imitation, cultural mimesis can effect inclusion in a polity, threaten state legitimacy, or undo the originality upon which such legitimacy is based. In Mimesis and Empire , first published in 2001, Barbara Fuchs explores the intricate dynamics of imitation and contradistinction among early modern European powers in literary and historiographical texts from sixteenth- and early seventeenth-century Spain, Italy, Engl ..." |
 | | Cambridge Studies in Renaissance Literature and Culture The Romance of the New World: Gender and the Literary Formations of English Colonialism Series Number 27 (Paperback) by Joan Pong Linton, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Paperback, 284 Pages, Published 2006 by Cambridge University Press ISBN-13: 978-0-521-59457-8, ISBN: 0-521-59457-X "This book explores the lively interplay between popular romances and colonial narratives during a crucial period of English and colonial history. Joan Pong Linton argues that while the emergent romance figure of the husband embodies a new ideal of productive masculinity, colonial narratives, in putting this masculinity to the test, often contradict and raise doubts about the ideal. Study of these texts in the context of colonial experie ..." |
 | | The Romance of the New World Gender and the Literary Formations of English Colonialism (Cambridge Studies in Renaissance Literature and Culture, Series Number 27) by Joan Pong Linton, Stephen Orgel, Anne Barton Hardcover, 288 Pages, Published 1998 by Cambridge University Press ISBN-13: 978-0-521-59454-7, ISBN: 0-521-59454-5 "This book studies the lively interplay between popular romances and colonial narratives during a crucial period when the values of a redefined patriarchy ..." |
 | | The Project of Prose in Early Modern Europe and the New World (Cambridge Studies in Renaissance Literature and Culture) by Elizabeth Fowler, Roland Greene, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie, Cambridge University Press, Roland Arthur Greene Hardcover, 220 Pages, Published 1997 by Cambridge University Press ISBN-13: 978-0-521-44112-4, ISBN: 0-521-44112-9 "What were the possibilities of prose as a literary medium in the sixteenth and seventeenth centuries? And how did it operate in the literary and social worlds? The Project of Prose in Early Modern Europe and the New World brings together ten new essays by leading scholars of the literatures of England, Spain, France, Italy, Portugal, and the colonial Americas, to answer these questions in wide-ranging ways. Several of the essays shed ne ..." |
 | | Records of Shelley, Byron, and the Author(Updated) (New York Review Books Classics) by Edward John Trelawny, Anne Barton, Anne Bartone Paperback, 308 Pages, Published 2000 by Nyrb Classics ISBN-13: 978-0-940322-36-3, ISBN: 0-940322-36-6 "In 1822, after having been discharged from the British navy, deserted by his wife, and as good as disowned by his father, the thirty-two year old Edward John Trelawny set off for Italy to make the acquaintance of his hero, Lord Byron. "I have met today the personification of my Corsair," Byron wrote in a letter. "He sleeps with the poem under his pillow, and all his past adventures and present manners aim at this personification." But t ..." |
 | | Cambridge Studies in Renaissance Literature and Culture Science, Reading, and Renaissance Literature: The Art of Making Knowledge, 1580-1670 Series Number 46 (Hardback) by Elizabeth Spiller, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 230 Pages, Published 2010 by Cambridge University Press ISBN-13: 978-0-521-83086-7, ISBN: 0-521-83086-9 "This monograph documents the development of two cultures and disciplines: science and literature--through a shared aesthetic of knowledge. It brings together key works in early modern science and imaginative literature, ranging from the anatomy of William Harvey and the experimentalism of William Gilbert to the fiction of Philip Sidney, Edmund Spenser and Margaret Cavendish." |
 | | The Shakespearean Forest by Anne Barton Hardcover, 200 Pages, Published 2017 by Cambridge University Press ISBN-13: 978-0-521-57344-3, ISBN: 0-521-57344-0 "The Shakespearean Forest, Anne Barton's final book, uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. The collection is representative of the startling breadth of Barton's scholarship: ranging across plays by Shakespeare (including Titus Andronicus, As You Like It, Macbeth, The Two Gentlemen of Verona and Timon of Athens) and his contemporaries (including Jonson, Dekker, Lyly, ..." |
 | | The Shakespearean Forest by Anne Barton Published 2017 by Cambridge University Press ISBN-13: 978-1-108-39407-9, ISBN: 1-108-39407-8 "Anne Barton. Foreword. by Adrian Poole The Shakespearean Forest had its genesis in lectures, first the Northcliffe lectures at University College London in 1994, then the Trinity College Clark lectures at Cambridge University in 2003. Anne Barton gave many distinguished lectures throughout her long career ... His most enduring achievement was the Cambridge Shakespeare (1863–6), co- edited with John Glover, then with W. Aldis Wright, ..." |
 | | The Poetics of English Nationhood, 1590-1612 McEachern, Claire(1st Edition) by Claire Mceachern, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Paperback, 256 Pages, Published 2006 by Cambridge University Press ISBN-13: 978-0-521-03094-6, ISBN: 0-521-03094-3 |
 | | The Poetics of English Nationhood, 1590-1612 (Cambridge Studies in Renaissance Literature and Culture) by Claire Elizabeth Mceachern, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 254 Pages, Published 1996 by Cambridge University Press ISBN-13: 978-0-521-57031-2, ISBN: 0-521-57031-X "The Poetics of English Nationhood is a 1996 study of the formation of English national identity during the early modern period. Claire McEachern aims to recontextualize our understanding of the term literary through an examination of Spenser, Shakespeare and Drayton. She shows how the concept of nationality in their work is always fluid; it crucially depends on a sense of intimacy that exends across and beyond hierarchies and boundaries ..." |
 | | Men in Women's Clothing(1st Edition) Anti-theatricality and Effeminization, 1579-1642 (Cambridge Studies in Renaissance Literature and Culture) by Laura Levine, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Paperback, 196 Pages, Published 1994 by Cambridge University Press ISBN-13: 978-0-521-46627-1, ISBN: 0-521-46627-X "In 1597 anti-theatricalist Stephen Gosson made the curious remark that theatre 'effeminized' the mind. Four years later Phillip Stubbes claimed that male actors who wore women's clothing could literally 'adulterate' male gender and fifty years after this in a tract which may have hastened the closing of the theatres, William Prynne described a man whom women's clothing had literally caused to 'degenerate' into a women. How can we accoun ..." |
 | | Cambridge Studies in Renaissance Literature and Culture Ser. Author's Pen and Actor's Voice : Playing and Writing in Shakespeare's Theatre by Robert Weimann, Helen Higbee, William West, Stephen Orgel, Anne Barton, Jonathan Dollimore, Marjorie Garber, Jonathan Goldberg, Nancy Vickers, Peter Holland, Kate Mcluskie Digital, Published by Cambridge University Press ISBN-13: 978-0-511-15365-5, ISBN: 0-511-15365-1 "Robert Weimann redefines the relationship between writing and performance, or "playing," in Shakespeare's theater. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theater, performance theory, and film and video interpretation, and offe ..." |
 | | Cambridge Studies in Renaissance Literature and Culture Ser. The Limits of Eroticism in Post-Petrarchan Narrative : Conditional Pleasure from Spenser to Marvell by Dorothy Stephens, Stephen Orgel, Anne Barton, Jonathan Dollimore, Marjorie Garber, Jonathan Goldberg, Nancy Vickers, Peter Holland, Kate Mcluskie Digital, Published by Cambridge University Press ISBN-13: 978-0-511-15002-9, ISBN: 0-511-15002-4 "The poet Petrarch imagined that the hopeless but pure love of a woman could lead a man to heaven. In sixteenth-century England Edmund Spenser wrote poetry in the petrarchan tradition while heightening its dilemmas--flirting with a very different kind of feminine image. Dorothy Stephens shows that this flirtation emerges only in conditional language and situations, and that the eroticism the reader feels often belies a narrator's insiste ..." |
 | | Byron and the Mythology of Fact (Inaugural Lecture S.) by Anne Barton Paperback, 24 Pages, Published by University Of Nottingham ISBN-13: 978-0-900572-06-7, ISBN: 0-900572-06-X |
 | | Cambridge Studies in Renaissance Literature and Culture The Rhetoric of the Body from Ovid to Shakespeare by Lynn Enterline, Stephen Orgel, Anne Barton, Jonathan Dollimore, Marjorie Garber, Jonathan Goldberg, Nancy Vickers, Peter Holland, Kate Mcluskie Digital, Published by Cambridge University Press ISBN-13: 978-0-511-15095-1, ISBN: 0-511-15095-4 "This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline analyzes what happens when Renaissance authors revisit Ovid's stories of violence and desire, paying close attention to the ways in which his subversive representations of gender, sexuality and the body influence later conceptions ..." |
 | | Cambridge Studies in Renaissance Literature and Culture(Updated) The Marketplace of Print: Pamphlets and the Public Sphere in Early Modern England Series Number 17 (Paperback) by Alexandra Halasz, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Paperback, 256 Pages, Published 2008 by Cambridge University Press ISBN-13: 978-0-521-03470-8, ISBN: 0-521-03470-1 "Early modern pamphlets serve as an important vehicle for examining the print culture of the time, and especially the developing entanglement between technology and capitalism. Combining close readings of pamphlets by Robert Greene, Thomas Nashe, Thomas Deloney and others with a discussion of the history and deployment of print technology, The Marketplace of Print is both a work of historical recovery and a reflection on the ongoing rela ..." |
 | | Author's Pen and Actor's Voice(Updated) Playing and Writing in Shakespeare's Theatre (Cambridge Studies in Renaissance Literature and Culture) by Professor Robert Weimann, Helen Higbee, William West, Dr William West Dr, Anne Barton, Marjorie B. Garber, Nancy Vickers, Kate Mcluskie, Professor Jonathan Goldberg Hardcover, 316 Pages, Published 2000 by Cambridge University Press ISBN-13: 978-0-521-78130-5, ISBN: 0-521-78130-2 "Robert Weimann redefines the relationship between writing and performance, or "playing," in Shakespeare's theater. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theater, performance theory, and film and video interpretation, and offe ..." |
 | | Cambridge Studies in Renaissance Literature and Culture Theatres and Encyclopedias in Early Modern Europe Series Number 44 (Paperback) by William N. West Professor, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Paperback, 312 Pages, Published 2006 by Cambridge University Press ISBN-13: 978-0-521-03061-8, ISBN: 0-521-03061-7 "This book analyzes the discourses and practices that defined Renaissance theater, as related to the development of encyclopedic texts and vice versa. Looking at what "theater" meant to medieval and Renaissance writers and critics, William West sets Renaissance drama within one of its cultural and intellectual contexts. Although the study focuses on the Renaissance, it also draws on and analyzes substantial classical and medieval materia ..." |
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