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  | | The Shakespearean Forest by Anne Barton Hardcover, 200 Pages, Published 2017 by Cambridge University Press ISBN-13: 978-0-521-57344-3, ISBN: 0-521-57344-0 "The Shakespearean Forest, Anne Barton's final book, uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. The collection is representative of the startling breadth of Barton's scholarship: ranging across plays by Shakespeare (including Titus Andronicus, As You Like It, Macbeth, The Two Gentlemen of Verona and Timon of Athens) and his contemporaries (including Jonson, Dekker, Lyly, ..." |
 | | Essays and Studies, 1981 by Anne Barton Hardcover, 154 Pages, Published 1981 by J Murray ISBN-13: 978-0-7195-3828-5, ISBN: 0-7195-3828-9 |
 | | The Wadsworth Shakespeare(2nd Edition) by William Shakespeare, G. Blakemore Evans, Herschel Baker, Harry Levin, Anne Barton, Hallett Smith, Marie Edel, Frank Kermode Hardcover, 2,080 Pages, Published 1996 by Wadsworth Publishing ISBN-13: 978-1-133-31627-5, ISBN: 1-133-31627-1 "The Second Edition of this complete collection of Shakespeare's plays and poems features two essays on recent criticism and productions, fully updated textual notes, a photographic insert of recent productions, and two works recently attributed to Shakespeare. The authors of the essays on recent criticism and productions are Heather DuBrow, University of Wisconsin at Madison, and William Liston, Ball State University, respectively." |
 | | Essays, Mainly Shakespearean(1st Edition) by Anne Barton Hardcover, 408 Pages, Published 1994 by Cambridge University Press ISBN-13: 978-0-521-40444-0, ISBN: 0-521-40444-4 "Anne Barton's essays on Shakespeare and his contemporaries are characterized by their combination of intelligence, humanity and elegance. In this linked but wide-ranging collection she addresses such diverse issues as Shakespeare's trust (and mistrust) of language, the puzzle of Falstaff's inability to survive in a genuinely comic world, the unconsummated marriage of Imogen and Posthumus in Cymbeline, Shakespeare's debt to Livy and Mach ..." |
 | | Shakespeare and the Idea of the Play(Updated) by Anne Barton, Anne Righter Hardcover, 223 Pages, Published 1977 by Praeger ISBN-13: 978-0-8371-9446-2, ISBN: 0-8371-9446-6 "Chapter headings are: Mysteries and Moralities: The Audience as Actor; The Period of Transition: Classical Comedy and the Hybrid Plays; The World and the Stage; The Play Image in the Early Work of Shakespeare; The Player King; The Power of Illusion; The Cheapening of the Stage: and From Resemblance to Identity: The Final Plays." |
 | | The Riverside Shakespeare,(2nd Edition) by William Shakespeare, G. Blakemore Evans, Harry Levin, Herschel Baker, Anne Barton, Hallett Smith, Marie Edel, Frank Kermode Hardcover, 2,057 Pages, Published 1996 by Houghton Mifflin Company ISBN-13: 978-0-395-75490-0, ISBN: 0-395-75490-9 "The Second Edition of this complete collection of Shakespeare's plays and poems features two essays on recent criticism and productions, fully updated textual notes, a photographic insert of recent productions, and two works recently attributed to Shakespeare. The authors of the essays on recent criticism and productions are Heather DuBrow, University of Wisconsin at Madison, and William Liston, Ball State University, respectively." |
 | | Cambridge Studies in Renaissance Literature and Culture Science, Reading, and Renaissance Literature: The Art of Making Knowledge, 1580-1670 Series Number 46 (Hardback) by Elizabeth Spiller, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 230 Pages, Published 2010 by Cambridge University Press ISBN-13: 978-0-521-83086-7, ISBN: 0-521-83086-9 "This monograph documents the development of two cultures and disciplines: science and literature--through a shared aesthetic of knowledge. It brings together key works in early modern science and imaginative literature, ranging from the anatomy of William Harvey and the experimentalism of William Gilbert to the fiction of Philip Sidney, Edmund Spenser and Margaret Cavendish." |
 | | Memory and Forgetting in English Renaissance Drama Shakespeare, Marlowe, Webster (Cambridge Studies in Renaissance Literature and Culture) by Garrett A. Sullivan, Jr. Sullivan, Anne Barton, Stephen Orgel Hardcover, 196 Pages, Published 2005 by Cambridge University Press ISBN-13: 978-0-521-84842-8, ISBN: 0-521-84842-3 "Engaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are ..." |
 | | The Italian Encounter with Tudor England A Cultural Politics of Translation (Cambridge Studies in Renaissance Literature and Culture) by Michael Wyatt, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 386 Pages, Published 2005 by Cambridge University Press ISBN-13: 978-0-521-84896-1, ISBN: 0-521-84896-2 "The small but influential community of Italians in England during the fifteenth century initially consisted of ecclesiastics, humanists, merchants, bankers, and artists. However, in the wake of the English Reformation, Italian Protestants joined other continental religious refugees in finding Tudor England to be a hospitable and productive haven. Michael Wyatt examines the agency of this shifting community of immigrant Italians in the ..." |
 | | The French Fetish from Chaucer to Shakespeare(1st Edition) (Cambridge Studies in Renaissance Literature and Culture) by Author: Deanne Williams, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 300 Pages, Published 2004 by Cambridge University Press ISBN-13: 978-0-521-83216-8, ISBN: 0-521-83216-0 "What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, th ..." |
 | | Theatres and Encyclopedias in Early Modern Europe(Illustrated) (Cambridge Studies in Renaissance Literature and Culture) by William N. West, Stephen Orgel, Anne Barton, William N. Hardcover, 312 Pages, Published 2003 by Cambridge University Press ISBN-13: 978-0-521-80914-6, ISBN: 0-521-80914-2 "This book analyzes the discourses and practices that defined Renaissance theater, as related to the development of encyclopedic texts and vice versa. Looking at what "theater" meant to medieval and Renaissance writers and critics, William West sets Renaissance drama within one of its cultural and intellectual contexts. Although the study focuses on the Renaissance, it also draws on and analyzes substantial classical and medieval materia ..." |
 | | Staging Domesticity Household Work and English Identity in Early Modern Drama (Cambridge Studies in Renaissance Literature and Culture) by Wendy Wall, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 308 Pages, Published 2002 by Cambridge University Press ISBN-13: 978-0-521-80849-1, ISBN: 0-521-80849-9 "Wendy Wall argues that representations of housework in the early modern period helped to forge conceptions of national identity. With a detailed account of household practices, this study interprets plays on the London stage in reference to the first printed cookbooks in England. Working from original historical sources, Wall reveals that domesticity was represented as "familiar" as well as "exotic". She analyzes a wide range of plays i ..." |
 | | Ben Jonson and Possessive Authorship(1st Edition) (Cambridge Studies in Renaissance Literature and Culture) by Joseph Loewenstein, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 236 Pages, Published 2002 by Cambridge University Press ISBN-13: 978-0-521-81217-7, ISBN: 0-521-81217-8 "What is the history of authorship, of invention, of intellectual property? Joseph Loewenstein describes the fragmentary and eruptive emergence of a key phase of the bibliographical ego, a specifically Early Modern form of authorial identification with printed writing. In the work of many playwrights and non-dramatic writers - and especially that of Ben Jonson - that identification is tinged, remarkably, with possessiveness. This 2002 bo ..." |
 | | Mimesis and Empire(Updated) The New World, Islam, and European Identities (Cambridge Studies in Renaissance Literature and Culture) by Barbara Fuchs, Anne Barton, Stephen Orgel, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 228 Pages, Published 2001 by Cambridge University Press ISBN-13: 978-0-521-80102-7, ISBN: 0-521-80102-8 "As powerful, pointed imitation, cultural mimesis can effect inclusion in a polity, threaten state legitimacy, or undo the originality upon which such legitimacy is based. In Mimesis and Empire , first published in 2001, Barbara Fuchs explores the intricate dynamics of imitation and contradistinction among early modern European powers in literary and historiographical texts from sixteenth- and early seventeenth-century Spain, Italy, Engl ..." |
 | | From Playhouse to Printing House Drama and Authorship in Early Modern England (Cambridge Studies in Renaissance Literature and Culture) by Douglas A. Brooks, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 316 Pages, Published 2000 by Cambridge University Press ISBN-13: 978-0-521-77117-7, ISBN: 0-521-77117-X "This original study examines how Shakespeare and his contemporaries made the difficult transition from writing plays for the theater to publishing them as literary works. Douglas Brooks analyzes how and why certain plays found their way into print while many others failed to do so and looks at the role played by the Renaissance book trade in shaping literary reputations. Incorporating many finely-observed typographical illustrations, th ..." |
 | | Author's Pen and Actor's Voice(Updated) Playing and Writing in Shakespeare's Theatre (Cambridge Studies in Renaissance Literature and Culture) by Professor Robert Weimann, Helen Higbee, William West, Dr William West Dr, Anne Barton, Marjorie B. Garber, Nancy Vickers, Kate Mcluskie, Professor Jonathan Goldberg Hardcover, 316 Pages, Published 2000 by Cambridge University Press ISBN-13: 978-0-521-78130-5, ISBN: 0-521-78130-2 "Robert Weimann redefines the relationship between writing and performance, or "playing," in Shakespeare's theater. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theater, performance theory, and film and video interpretation, and offe ..." |
 | | The Rhetoric of the Body from Ovid to Shakespeare(1st Edition) (Cambridge Studies in Renaissance Literature and Culture) by Lynn Enterline, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 288 Pages, Published 2000 by Cambridge University Press ISBN-13: 978-0-521-62450-3, ISBN: 0-521-62450-9 "This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline analyzes what happens when Renaissance authors revisit Ovid's stories of violence and desire, paying close attention to the ways in which his subversive representations of gender, sexuality and the body influence later conceptions ..." |
 | | The Limits of Eroticism in Post-Petrarchan Narrative Conditional Pleasure from Spenser to Marvell (Cambridge Studies in Renaissance Literature and Culture) by Dorothy Stephens, Anne Barton, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 264 Pages, Published 1999 by Cambridge University Press ISBN-13: 978-0-521-63064-1, ISBN: 0-521-63064-9 "The poet Petrarch imagined that the hopeless but pure love of a woman could lead a man to heaven. In sixteenth-century England Edmund Spenser wrote poetry in the petrarchan tradition while heightening its dilemmas--flirting with a very different kind of feminine image. Dorothy Stephens shows that this flirtation emerges only in conditional language and situations, and that the eroticism the reader feels often belies a narrator's insiste ..." |
 | | Gender and Literacy on Stage in Early Modern England (Cambridge Studies in Renaissance Literature and Culture) by Eve Rachele Sanders, Anne Barton, Eve Rachele, Los Angeles, Stephen Orgel, Marjorie B. Garber, Professor Jonathan Goldberg, Nancy Vickers, Kate Mcluskie Hardcover, 282 Pages, Published 1999 by Cambridge University Press ISBN-13: 978-0-521-58234-6, ISBN: 0-521-58234-2 "In early modern England, boys and girls learned to be masculine or feminine as they learned to read and write. This book explores how gender differences, instilled through specific methods of instruction in literacy, were scrutinized in the English public theater. Close readings of plays from Shakespeare's Love's Labour's Lost to Thomas Dekker's Whore of Babylon, and of poems, didactic treatises and autobiographical writings from the s ..." |
 | | The Romance of the New World Gender and the Literary Formations of English Colonialism (Cambridge Studies in Renaissance Literature and Culture, Series Number 27) by Joan Pong Linton, Stephen Orgel, Anne Barton Hardcover, 288 Pages, Published 1998 by Cambridge University Press ISBN-13: 978-0-521-59454-7, ISBN: 0-521-59454-5 "This book studies the lively interplay between popular romances and colonial narratives during a crucial period when the values of a redefined patriarchy ..." |
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