"This collection of original essays explores the great quests and questions into the unknown that occupied and troubled the early modern world. The topics addressed are in many cases hitherto untouched by modern scholarship. Writings examined include canonical texts of early modern literature and other less familiar works engaged in the transcultural exchanges of their times. Themes range from mathematics to confessional exile, to the po ..."
"This collection presents early modern writers who were either virtually unknown, or whose works were overshadowed by those of their great contemporaries Shakespeare, Jonson, Spenser, and Donne. It is a series of historically specific readings of social relationships, understood from the point of view of marginalized or neglected sources. The intention of this volume is to amplify the canon with complementary materials whose differences ..."
"Forker's critical edition fills the need for a fully annotated, historically contextualised and modernised text of the most important Elizabethan chronicle play apart from Shakespeare and Marlowe's Edward II. Now attributed definitely to George Peele, this drama helped to establish a major theatrical genre, raising contemporary political and religious issues through the dramatisation of medieval history in a compelling and popular fash ..."
"Ouellette, Anthony J., 'The Alchemist and the Emerging Adult Private Playhouse',
Studies in English Literature, 1500–1900 45.2 (2005), 375–99. Partridge, Edward
B., The Broken Compass: A Study of the Major Comedies of Ben Jonson (New
York: Columbia University Press; London: Chatto & Windus, 1958). Phillips,
Patrick, '“You Need Not Fear the House”: The Absence of Plague in The
Alchemist', Ben Jonson Journal 13 (2006), 43–62. Potter, ..."
"This anonymous manuscript play has long been the subject of scholarly dispute regarding its relationship with Shakespeare's Richard II. This edition, which thoroughly re-examines the text, situates the play within its historical and political context, relating it to the genre of chronicle drama to which it belongs. The manuscript is of particular interest in that it appears to have been used in the playhouse over a considerable period o ..."
"This is the new paperback edition of the first fully annotated volume of Ben Jonson's 'The Magnetic Lady' written in 1632. It contains textual and explanatory notes and the text is modernised for student use. The introduction places the play in the context of Jonson's later dramatic and poetic works and discusses the political context of the Caroline court. A performance history of the play and fresh material relating to its seventeenth ..."
"Antonio and Mellida was the first play by John Marston performed by the newly revived Paul's Company in 1599. Marston sought to display a variety of talents, comic, tragic, satiric and historical, advertising his own dramatic skills and the prowess of the choristers of Paul's. The play is based on incidents in the reigns of Sforza, Francesco, Galeazzo and Lodovico, who were Dukes of Milan in the late fifteenth and early sixteenth centur ..."
"Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and ho ..."
"Or, Love Lies A-Bleeding by Beaumont and Fletcher Francis Beaumont, John
Fletcher Andrew Gurr. be sure he did that) are hardly consistent enough for us to
make a reliable identification of his share in others. He was enough of a
chameleon to make the spelling and verse tests of even the latest and most
careful disintegrator of the canon misleading, to the extent of attributing The
Faithful Shepherdess, one of the few plays certainl ..."
"Excellent Revels text now back in print at the new GBP9.99 price. Leading edition of this play by Ben Jonson - no other edition of this calibre at the moment. Professor Anthony Parr has a proven track record with the Three Jacobean Travel Plays (now in paperback at GBP14.99). The complete canon of Ben Jonson is being brought back into print in the Revels. The play itself is one of Jonson's best and has a prescient storyline about journ ..."
"General. Editors'. Preface. Clifford Leech conceived of the Revels Plays as a
series in the mid- 19505 modelling the project on the New Arden Shakespeare.
The aim, as he wrote in 1958, was 'to apply to Shakespeare's predecessors,
contemporaries and successors the methods that are now used in Shakespeare
editing'. The plays chosen were to include well known works from the early Tudor
period to about 1700, as well as others less fami ..."
"Generally acknowledged to be the most powerful of Beaumont and Fletcher’s plays and frequently performed by the best actors of the seventeenth and early eighteenth century, The Maid’s Tragedy (1610-11) disappeared from the stage (except in a much-altered and very successful Victorian adaptation) until recent years, when major companies have rediscovered its appeal. In this fully annotated edition, the editor has given careful attention ..."
"This is the first single volume edition of A Trick to Catch the Old One for many decades. This edition presents a thoroughly reconsidered text based on collation of all known copies of the 1608 quarto (including material unnoticed by earlier editors). Textual analysis draws on detailed internal investigation and the printer's wider practice to propose that relatively improvisational procedures and a paper quota governed A Trick's printi ..."
"George Chapman is known today as a translator of Homer and as the author of dark tragedies such as Bussy D'Ambois. An Humorous Day's Mirth, written in 1597, was one of the most popular plays of the Elizabethan era. Not only was Chapman's play the Rose Theatre's greatest box-office success ofthat year, but it also presented an entirely new type of comedy, one that has profoundly influenced comic writing up to the present day. This play i ..."
"Tamburlaine the Great achieved, and sustained, great success on the Elizabethan stage. And it speaks provocatively to our own time, when it has been the subject of numerous major productions. Timur Khan--to give Tamburlaine his original name--was long perceived in the West as a ruthless conqueror, whose career was marked by vindictive massacres, the sacking of enemy cities and the assertion of egotistic will. In this light, his career c ..."
"Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and receptio ..."
"Sovereigns and Subjects in Early Modern Neo-Senecan Drama examines the development of neo-Senecan drama, also known as ’closet drama’, during the years 1590-1613. It is the first book-length study since 1924 to consider these plays - the dramatic works of Mary Sidney, Samuel Daniel, Samuel Brandon, Fulke Greville, Sir William Alexander, and Elizabeth Cary, along with the Roman tragedies of Ben Jonson and Thomas Kyd - as a coherent group ..."
"Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first ti ..."
"This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (15 ..."